{"id":60,"date":"2005-06-26T22:25:09","date_gmt":"2005-06-27T05:25:09","guid":{"rendered":"http:\/\/www.devradowrite.com\/?p=60"},"modified":"2005-06-26T22:30:59","modified_gmt":"2005-06-27T05:30:59","slug":"60","status":"publish","type":"post","link":"http:\/\/www.devradowrite.com\/?p=60","title":{"rendered":"Reality?"},"content":{"rendered":"<p>Sunday&#8217;s New York Times piece, <strong><a href=\"http:\/\/www.nytimes.com\/2005\/06\/26\/movies\/26scot.html\"target=\"_blank\">The Rise of the Winner-Take-All Documentary<\/a><\/strong> by A. O. Scott is about film, but it applies just as well to print, and to me, that&#8217;s a problem. Here&#8217;s an excerpt from the first graf and a half: <\/p>\n<blockquote><p>&#8230;For a screenwriter in search of third-act drama, the climactic sports showdown is a surefire winner. And also, of course, a clich\u00c3\u00a9. Even in movies based on real-life sports figures and events &#8211; &#8220;Cinderella Man,&#8221; &#8220;Friday Night Lights&#8221; and &#8220;Seabiscuit&#8221; are some recent examples &#8211; the big game can feel a bit rigged. And yet, even if we know what&#8217;s coming &#8211; or, for that matter, what really happened &#8211; we can&#8217;t help succumbing to the rush of suspense and emotion that the spectacle of high-stakes, winner-take-all competition brings.<\/p>\n<p>Why should documentaries be any different? Perhaps the biggest challenge in nonfiction filmmaking, as in some forms of journalism, is the shaping of cluttered, contingent experience into a coherent story. The world supplies an abundance of interesting personalities, important subjects and relevant issues, but narratives of a momentum and clarity sufficient to sustain 90 minutes&#8217; (or $10) worth of attention are harder to come by&#8230;<\/p><\/blockquote>\n<p>Scott mentions journalism, and I draw a parallel between documentaries and narrative nonfiction. In fact, the movies &#8220;Seabiscuit&#8221; and &#8220;Friday Night Lights&#8221; were based on narrative nonfiction books of the same titles.* My problem is that I like to write about ordinary people going about their ordinary lives, and more often than not, there is nothing momentous at stake. As a nonfiction writer seeking to be paid and published, I must now look for narratives of a momentum and clarity sufficient to sustain a long feature, if not a book, because interesting personalities, important subjects and relevant issues are, in and of themselves, no longer enough. <\/p>\n<p>There may be those who argue that those elements never were sufficient, but the climate has changed. I am deeply disturbed by the mass appeal of reality tv where everything is a contest, even finding a spouse and landing a job. The humongous prizes add components of upward mobility for the winner, devestation or at least serious disappointment for the losers, transformation, and maybe, just maybe, some self-revelations along the way. All the narrative elements are there, the stories are true (albeit manipulated), but I don&#8217;t want to buy into the life as a winner-take-all sport. <\/p>\n<p>*Note: The screenplay for the movie &#8220;Cinderella Man&#8221; appears to be original, and not based on any of the books with that title; the hardcover by Jeremy Schaap and an upcoming paperback by Michael DeLisa (an historical consultant for the movie) were based on Braddock&#8217;s life, and the paperback by Marc Cerasini was based on the screenplay.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sunday&#8217;s New York Times piece, The Rise of the Winner-Take-All Documentary by A. O. Scott is about film, but it applies just as well to print, and to me, that&#8217;s a problem. Here&#8217;s an excerpt from the first graf and a half: &#8230;For a screenwriter in search of third-act drama, the climactic sports showdown is &hellip; <a href=\"http:\/\/www.devradowrite.com\/?p=60\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Reality?&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[5,6],"tags":[],"class_list":["post-60","post","type-post","status-publish","format-standard","hentry","category-hmmm","category-writing-life"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.devradowrite.com\/index.php?rest_route=\/wp\/v2\/posts\/60","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.devradowrite.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.devradowrite.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.devradowrite.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.devradowrite.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=60"}],"version-history":[{"count":0,"href":"http:\/\/www.devradowrite.com\/index.php?rest_route=\/wp\/v2\/posts\/60\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.devradowrite.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=60"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.devradowrite.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=60"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.devradowrite.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}