Tenor and Brass on TV

On Sunday, November 11, 2007 beginning at 8:00 p.m. Public Television will air The USAF 60th Anniversary: A Musical Celebration featuring The United States Air Force Band with special guests “The Tenors – Cook, Dixon, & Young” and “Empire Brass”. The brass quintet is noted for presenting works from Bach and Handel to jazz and Broadway. Similarly, the tenors are well versed in both the European and American musical traditions, so it’s no surprise that the broadcast will include American classics such as American Salute, Ain’t Misbehavin’, America the Beautiful, and a rousing full-cast finale of God Bless America.

I’m not familiar with the brass players but have read that all five have held leading positions with major American orchestras and that the ensemble plays over 100 concerts a year in major cities throughout the world. I am more familiar with the tenors. Victor Trent Cook received a Tony Award nomination for “Smokey Joe’s Cafe,” Rodrick Dixon has been a featured performer in several roles with the Los Angeles and Michigan Opera companies, the Lyric Opera of Chicago, and in Broadway’s “Ragtime.” Grammy Award-winning vocalist Thomas Young has appeared as a soloist in major concert halls around the world; he’s also created operatic roles for contemporary composers like John Adams and Anthony Davis. Their talents encompass jazz and blues (here’s a video clip) as well as the classics (here’s a video clip of Roderick)

I know of Cook, Dixon, and Young as “Three Mo’ Tenors,” so I wondered why the billing changed to read “The Tenors.” In an online Variety article published 9/27/07 I learned that

“The “Three Mo'” franchise was started by [Director Marion J.] Caffey with singers Victor Trent Cook, Rodrick Dixon and Thomas Young in the title roles. Producer Willette Murphy Klausner soon joined up, and the group received much exposure courtesy of a 2001 PBS showing. Performers and management thereafter split acrimoniously, leaving Klausner and Caffey with rights to the title; Cook, Dixon and Young still perform together in the three tenor format, presumably with more star power than any of the six tenors alternating at the Little Shubert.”

I have never been in favor of spin-offs, musical franchises and/or ghost bands, and while I’m sure that all of the tenors currently performing on Broadway and elsewhere as “Three Mo'” are very talented, I’ll stick with the originals of whom I’ve been fond ever since their debut in the summer of 2000.

Of course I also love the original originals – Luciano Pavarotti, Placido Domingo, Jose Carreras – The Three Tenors with three capital Ts. Ay, Ay, Ay.

Les “Coach” Fernandez R.I.P.

Foreword written on Saturday:
What a pathetic excuse for a writer I must be if words fail me at a time when it means the most. Instead of tears, I’m wading in a puddle of platitudes….”I’m so very sorry for your loss.” Clichés run amok in my brain – my heart is heavy (as lead), my heart goes out to you — out where? And why is loss such a palpable ache? I am constantly searching for the universality in a story, so why do I seize up when universality smacks me in the gut?
Perhaps because I am human.
Yes.
No.
Yes, but I am a writer. I refuse to be pathetic. Ass in chair, open a vein, write!

A good man died yesterday morning. Admittedly lots of good men died yesterday. Some died in the line of duty, while others simply reached the end of their line. Some died heroically, and others died horrifically. Some died before their time, others finally expended the borrowed time they had been given. The good man whose loss saddens me today was a friend to me for 40 years.

###

lesfernandezsml.jpgApril 30, 1991 was declared “Les Fernandez Day” in Westchester County. Now, sixteen years to the day, Les “Coach” Fernandez is laid to rest. He died Friday morning from congestive heart failure, one week after celebrating his 80th birthday with family and friends.

I spoke to him the night before the big party and I told him how very much I wanted to be there, as I had been for so many of the milestones though the years – The Cage 25th Anniversary, Les’ wedding (Coach’s oldest son and namesake), a 50th birthday party or two, even an occasional Thanksgiving and Christmas dinner, Coach’s 70th birthday bash, the renewal of Coach & Nat’s wedding vows on their 50th anniversary….. and some scary times too, Coach’s car crash, Les’ heart surgery…. I won’t call it a premonition, but I somehow knew this party would be Coach’s last big event, but I could not go, not this time. He knew that I was there in spirit, just as I know that his spirit lives on in all of us whose lives he touched.

Coach held many jobs ranging from boxing coach to psychotherapist, but what he was, always, was a youth worker. From his undergrad days as a “street gang worker” for the Police Athletic League back in the late 1940s, until the day he retired in 1991 after 29 years with The Cage Teen Center (26 as its Executive Director), his focus and his gift was in helping young people to cope and excel.

He believed that school dropouts, drug abusers, runaways, youthful offenders, outcasts and young adults with family, social or even police problems do not have to be alienated from society’s mainstream forever. He recognized that these kids, who came from all walks of life — all races, socioeconomic strata, educational levels, from all parts of town – had one thing in common: their basic psychological needs, to love and be loved and to feel worthwhile to themselves and to others, had not been fulfilled. So one-on-one, one at a time, sometimes in a boxing ring or on a basketball court, sometimes folding his 6-foot-plus frame into a desk chair in a classroom on the top floor of the rectory of Grace Church, he touched the lives of many.

dropincenter1963.jpgWhen Coach first started working at the Cage Teen Center in 1962, it was little more than a deserted basement bowling alley used as a drop-in center. Teen strife caused problems and the adults in charge, not being professionals, were unable to control the situation. They hired Coach as a part time group worker, then, in 1965, they appointed him to the full time position of Executive Director.

boxing.jpgThe following year The Cage Teen Center youth made a film entitled “Tell It Like It Is” which not only gave them a voice, but helped the various community agencies to better understand their problems. That was also the year that Henry Jeter, 175 lbs., Light Heavyweight, became the first member of The Cage Teen Center Boxing Program to win a Golden Gloves Championship at the old Madison Square Garden.

In 1967, Coach used a $25,000 Federal Government grant to launch EduCage, an Alternative High School Program, that included academic subjects, arts, and job skills ranging from typing to automotive training. A year later he established the first in-school Infant Care Center in New York State, offering parenting skills to young mothers and fathers, and daycare services for Educage students with babies. Another new program to emerge that year was The Cage Drug Prevention Center, the first official drug treatment program in Westchester County. Whenever an obstacle arose to prevent a young person from achieving more, Coach sought and fought for solutions.
class.jpgceramics.jpgautomotivetraining.jpginfantcare.jpg

He was one of the most dedicated men I have ever known, seemingly tireless, always on the go. He served on city and county boards and committees too numerous to mention, lectured and consulted with organizations, schools and agencies interested in the problems of young people, and even testified before the House Sub-Committee on Crime. Throughout the years he maintained his State Certification as an Industrial Arts Teacher, Guidance Counselor, Secondary School Principal and School Administrator and Supervisor, but that was not enough; at a time when most would be planning to retire, he went back to school and earned his Doctorate Degree in Counseling and Human Development a Post Graduate Certificate in Psychotherapy.

ny-008.jpgSomehow, on top of all that he did for others, he and his wife Natalie, raised a family — Les, Richie, Don, and Lanette — four remarkable, strong, and loving people who shared their dad with so many other young people who who grew up and remembered Coach with love and appreciation. They wrote to him and his files are overflowing with notes like this one:

Educage was the only school I had ever been to where I felt I really belonged, and that the teachers and faculty really cared what happened to me… A lot of us kids lives would’ve gone down the drain if we didn’t get help, and I’ll always remember the dedicated people who were there when we needed them.

One of the many plaques and awards given to Coach bears this quotation from Henry B. Adams: “A teacher affects eternity; he can never tell where his influence stops.” A thought echoed in the letters he treasured, like this one:

You started Educage, in which you have helped hundreds of people like me to get their high school diploma, and furthering their education. Your love and caring have rubbed off on most of us you touch. Because of the love and dedication you showed the youths in past and present, a lot of your ex youths are now in the field of youth counselors…

As a WWII vet, the funeral service will include the flag ceremony and taps. As a beloved leader of the community, the funeral cortege will be accompanied by the White Plains Police Force. Though it may sound hyperbolic, the fact is that over the years Coach touched thousands of lives. He will be honored by many and missed by all.

Presidential Candidates – Online Town Hall

Tomorrow, April 10th at 7:15pm Eastern, MoveOn is using the Internet to connect presidential candidates directly to the people.


Join MoveOn.org's Virtual Town Hall: Iraq

Hillary Clinton, Barack Obama, John Edwards, Bill Richardson, Dennis Kucinich, and Joe Biden will answer questions from MoveOn.org’s 3.2 million members in the first of three unprecedented virtual town hall meetings. The topic: Iraq.

MoveOn members are asking candidates the tough questions about their Iraq plans, and gathering in living rooms from coast to coast to hear the answers directly. The mass media won’t be filtering our questions or filtering the answers—-MoveOn will be connecting candidates directly to the people. You can sign up to attend a local house party and experience the virtual town hall with others by going here then plug in your zip code and click search to see what’s nearest you.

Right after the virtual town hall meeting, MoveOn will survey our members to see which candidate they believe will do the best job of leading us out of the war in Iraq. We will also let MoveOn members know how they can get involved with the candidate of their choice.

Note!

I’m a sucker for a big band. The Thad Jones-Mel Lewis Jazz Orchestra remains a personal favorite, but I have a fondness for the Airmen of Note, perhaps a residual attachment from the days of Joe Williams — Joe was Basie’s #1 son, but Joe spread his love around and liked this band a lot. So, if I were to be in DC later this month — I’m not, but if I were — you’d find me front and center at the Airmen of Note’s free concert — Blues Alley at 8 PM on April 25th.

I’ve Got More Mail

I received an email from Edgar at WGBH radio 89.7 FM in Massachsetts. I get a lot of pitches and press releases, but as DevraDoWrite is my personal platform, and I make no pretense to be an unbiased journalist when writing here, I feel free to ignore everything that is of no personal interest to me; that includes all “smooth jazz.” A lot of people waste their time pitching me because they do not take the time to do the research, but Edgar clearly knows that I am a extreme fan of Sonny Rollins, and he didn’t push. Here’s what he wrote:

I thought this might be of interest, either for your blog or just for your own personal enjoyment. The legendary Sonny Rollins–who has played and recorded with the likes of Thelonious Monk, John Coltrane, Miles Davis, and Art Blakey–will be a guest on Open Source with Christopher Lydon, this Thursday, April 5 at 7pm. The show airs on WGBH 89.7 FM in New England and streams live worldwide at wgbh.org/listen. Tune in and hear the insights of the one and only Saxophone Colossus.

That’s this Thursday, 7 PM Eastern time — I’ll be tuned in via computer here.

Exploring Subcultures

I feel very privileged to be friends with so many talented people, many who are actually renowned in the fields of my two primary interests – jazz and non-fiction writing. The other day I mentioned author/mentor Marita Golden, and today I received news from another guru/writing mentor/friend named Lee Gutkind.

Some years ago, James Wolcott, in one of his writings for Vanity Fair, dubbed Lee “the Godfather behind Creative Nonfiction.” It was not intended to be a compliment, but Lee has made good use of the title ever since, founding the Creative Nonfiction Foundation that publishes a journal of excellent writings, and also directing the Mid-Atlantic Creative Nonfiction Summer Writers’ Conference, all while continuing to write amazing books that immerse readers in worlds they are unlikely to encounter otherwise — the world of heart transplantation, veterinary medicine, psychiatric institutions, to name a few, and now the world of robotics. Here’s he promo blurb on his latest book titled “Almost Human: Making Robots Think”:

The high bay at the Robotics Institute at Carnegie Mellon University is alive and hyper night and day with the likes of Hyperion, which traversed the Antarctic, and Zoe, the world’s first robot scientist, now back home. Robot Segways learn to play soccer, while other robots go on treasure hunts or are destined for hospitals and museums. Dozens of cavorting mechanical creatures, along with tangles of wire, tools, and computer innards are scattered haphazardly. All of these zipping and zooming gizmos are controlled by disheveled young men sitting on the floor, folding chairs, or tool cases, or huddled over laptops squinting into displays with manic intensity. Award-winning author Lee Gutkind immersed himself in this frenzied subculture, following these young roboticists and their bold conceptual machines from Pittsburgh to NASA and to the most barren and arid desert on earth. He makes intelligible their discoveries and stumbling points in this lively behind-the-scenes work.
(For more information on Almost Human: Making Robots Think, visit the official website.)

When I am dreaming up book ideas, usually I am either intrigued by a desire to learn about a world unknown to me, or driven by a desire to show a particular world to others. As a reader, I love books that bring me into a new world, or show me sides of a world I thought I knew, in ways that allow me to identify with the people and or circumstances. I face many challenges in writing the Luther Henderson biography not the least of which wll be how to make the reader understand just what it is that a musical arranger does, where the lines between arranging and composing blur, and why these people are seemingly invisible when their role is so crucial to the success of the people we all recognize as stars.

Lee Gutkind, John McPhee, Tracy Kidder — to name just three — they are all masters of this craft known by many names: creative nonfiction, immersion journalism, narrative nonfiction. Wednesday, March 21 you can hear Lee Gutkind on National Public Radio’s “Talk of the Nation.” To find the stations nearest you that carry this program, go here.

Lee’s schedule includes a bunch up upcoming live appearances in and around Arizona, far closer to me than the Pittsburgh home of the journal, but I’m up to my eyeballs writing, so rather than travel I’ll have to make do with listening to him on the radio. In my neighborhood “Talk of the Nation” airs from 8-10 PM, but I’m also hoping that NPR will post the show online afterwards as they do with so many of their programs.

Open Ears

A year or so ago drummer Michael Stephans (then my neighbor down the street, since moved East) offered to play for me his latest recording, OM/ShalOM, which had not yet released. Now Michael is a first-class drummer, and, as his bio tells you, not only do his compatriots include Bob Brookmeyer, Pharoah Sanders, the late Charlie Byrd, Don Menza, Buddy Colette, Alan Broadbent, Bob Florence, Mike Melvoin, Lynn Arriale, Bud Shank, … but he has also played with personalities as wildly diverse as The Rolling Stones, Cher, David Bowie, Shirley MacLaine, and Natalie Cole. Still I was hesitant because I knew this was an unusual recording, a fusion of well-known Hebrew liturgical songs and Yiddish-based melodies with modern improvisational music. Michael is a deep guy (he’s got a PhD, two Masters degrees and he’s a poet too), and I was afaid that this music would be over my head, too ‘out there.’ Forgive me here, but I thought, “Oy vey. What will I say?”

OMSHALOMCover.jpgAlmost immediately I was sucked into this vortex of sound, much of it feeling very primal. Five musicians (Michael, David Liebman, Bennie Maupin, Scott Colley, and Munyungo Jackson), each a major player in his own right, charted deep waters but always came safely back to shore. Part of what drew me in was the familiarity of the melodies – Let My People Go, Shalom Alechim, and Hava Nagilah to name a few – but I think it was the timber of the horns, the undulating steadiness of the beat, and the intensity of emotion that kept me afloat and attentive throughout. The CD, with a beautiful cover by Paul Harryn, includes a few of Michael’s originals including the title track, Kaddish for Elvin, and Moon Over Miami that is a poem set to music.

Now I am pleased to share with you the news that OM/ShalOM will celebrate its New York premiere and CD release on Monday evening, February 26th, 2007 at the Blue Note in New York City. And for those of you in the vicinity of the Poconos, you can hear a preview on Sunday, February 25th at the Deerhead Inn.

Best Buy!

Just a few minutes ago I was griping to my husband about the cost of an evening’s entertainment. A ‘reasonably-priced’ meal for two, with one cocktail and a glass of wine each, followed by concert or club admission easily reaches the $200 mark. That’s fine if you’re earning a hefty income…or if you only go out on rare occasion. Thankfully, we do alright and go out when we want, but that doesn’t make me unaware.

Don’t get me wrong. I do understand the high cost of presenting entertainment, especially if the artists are paid well, though often that’s not the case. Still, prices do go up….and up….and up. (Whatever happened to “that which goes up must also come down” ?)

I wish everybody could enjoy an evening’s entertainment regardless of their economic status — in fact, I think that the have-nots might benefit more from the experience than those who have fewer worries. But that’s another subject for another day.

Regardless of your income, if you are a jazz lover in New York with $5 and a free lunch hour on Wednesday, January 3rd – 1-2 PM, make your way over to Saint Peter’s Church (E. 54th St. & Lexington Ave.) for the MIDTOWN JAZZ AT MIDDAY concert featuring soprano saxophonist BILL KIRCHNER and pianist JUNIOR MANCE. I can’t think of a better way — or more affordable — to spend a lunch hour at the start of the year!

I Heard It Through The Grapevine…Online

Tonight, Friday, Dec. 1, 8pm Eastern, WGBH radio host Steve Schwartz will feature dad’s music. I’m guessing it’s something of a birthday feature as dad’s birthday is December 4.  Listen to Jim Hall Jazz from Studio Four on the radio (89.7) or online (the Listen Live link is under the Radio menu on the left).

More Radio

While I’m on the subject of promoting good radio broadcasts, you should tune in to WBGO tomorrow night (Sunday, Nov 12, from 11 p.m. to midnight, Eastern Standard Time) and listen to the music of Bob Brookmeyer. Producer Bill Kirchner writes:

Valve trombonist/pianist/composer/arranger Bob Brookmeyer (b. 1929) has been a major jazz musician for more than a half-century. Only in the past 25 years, though, has he been widely recognized as one of jazz’s finest living composers.

We’ll hear recent recordings of Brookmeyer’s writing for his Europe-based New Art Orchestra. Plus a surprise.

If you are a WBGO regular you’ll recognize that this is part of the “Jazz From the Archives” series that runs every Sunday on WBGO-FM (88.3) presented by the Institute of Jazz Studies.

NOTE: If you live outside the New York City metropolitan area, WBGO also broadcasts online.