Wish You Were (Still) Here

André De Shields sings ‘Believe in Yourself’ at Billie Allen Henderson Memorial – YouTube

It doesn’t feel possible, but Billie Allen Henderson left us just over ten years ago, and yesterday would have been her 101st birthday. In my mind, and in my heart, she is still very much here, tho I do so wish she would answer me more clearly when I speak to her now; I have so many questions about the theatre, playwriting, and producing… I think she and Luther would both be proud of the work I am doing with “Joe Williams: Here’s to Life.”

Also, I sure could use a few of her homemade soup recipes. They were the best medicine Luther had in those last couple of years, and, after he was gone, those soups nourished and warmed my soul on those cold winter days I spent with Billie while working on Luther’s biography, tentatively titled “Seeking Harmony.” I promised Billie I would tell Luther’s story and I am so sad that I could not do so before she died. Now, finally, I have been able to devote the necessary time and can see the finish line. Stay tuned.

There have been a lot of challenges in writing Luther story, and I was often asked “Why him?” And maybe even ‘why now?’ Because, whether or not you know his name, he had a major impact on the world of music. Not just on Broadway musicals, but also in the blending of Eurocentric and ethnocentric music, including symphonic orchestrations of jazz classics. His music lives on not just on recordings but in live performances. Here are some samples:

Ten Good Years, an original Luther composition (one of Billie’s favorites) written for The Nancy Wilson Show at the Coconut Grove,

That Doo Wah Thing from Classic Ellington conducted by Sir Simon Rattle,

and Saints Hallelujah, one of my favorites by the Canadian Brass and appropriate to this post.

Enjoy!

Positivity

Happy New Year

that’s my hope for us all

I don’t remember when I last wrote one of these year end missives. It’s really not my style, but this last year could have been a lollapaloser and I am happy to share the more positive lallapalooza outlook!

As this year ends, my three major projects are all on the verge of fruition:

I wrote “Here’s to Life,” a one man play with music, staring Keith David as Joe Williams, and now we have a completed script and score. John Gentry Tennyson is our amazing music director, and Richard Gant is our stage director. Next step is to prepare for backers’ auditions and to do that we need to raise $300,000. Check out our pitch deck and if you know anyone who might want to invest in a Broadway-bound show, or to make a tax-deductible donation, let me know. (Nothing like a little shameless self-promotion, and I am very proud of this.)

My memoir, “No Wrong Notes in Love or Jazz” is the story of an interracial May-December fling that quickly evolves into a love story against all odds. While searching for self and recognition, I fall irreversibly in love with a married man, and he with me.. ‘Age is just a number’ is a cliché we embrace as we focus more and more on life’s essentials in the here and now: our relationship to ourselves, our values, and each other. John and I were inseparable for 33 years, as business colleagues, lovers, best friends, and finally husband and wife. Ours was an adult relationship, nuanced, sophisticated, imperfect, and real. Manuscript and proposal are both complete and in search of an agent or publisher, but in this changing landscape of book publishing, I am also considering self-publishing.

“Seeking Harmony: The Life and Music of Luther Henderson” has been resurrected. After doing a tremendous amount of research with dozens of interviews, I had been struggling on-and-off for years trying to find the right approach that would be of interest to a general reading public. It is now shaping up as a look behind the curtain:

In a concert hall, after the organized cacophony of the orchestra tuning up, there is a moment of expectant quiet while awaiting the entrance of the conductor. 

In the theatre, the magic begins when the lights go down and the overture swells up from the pit creating the aural overview of the journey you are about to take. If you know the songs, you delight in recognizing the themes as one merges with the next…and then the curtain rises.

With heightened anticipation, the audiences are primed to enter a world of suspended disbelief where music communicates directly with the soul.

Musical communication is spiritual communication. The most essential communication happens one-to-one, mind-to-mind, spirit-to-spirit.  If the entire human race could learn this kind of give and take, this kind of spiritual communication between minds, then we wouldn’t be going around killing each other. – Luther Henderson

So as you can see, I’ve got three bases loaded and gearing up for a home run.

Amazing, considering that as 2024 was making its transition to 2025, I was looking at what could have been three strikes:

November 2024 I was recovering from a lumpectomy – excised with clean margins– and hopeful of avoiding a recurrence with 5 years of meds, no chemo

Then came December, I fell and fractured my sacrum and a lower vertebrae landing me in the hospital unable to move, followed by too many weeks in a rehab facility. 

That’s where I was, oblivious, still on pain meds when, on January 7th, the Eaton Canyon fire broke out two blocks away from my house.  Unbeknownst to me at the time, my wonderful neighborhood friends, Dana and Mark, went to my house to check on my mother.  The entire neighborhood was under mandatory evacuation orders. They helped another angel, my mother’s caregiver, Rosa, pack up essentials and Rosa took mom and Jamie to her house – that’s where they stayed for the next four weeks while I remained in rehab and the neighborhood was on lockdown, national guard patrolling.

Side note about surviving in rehab: the people are nice but woefully short-staffed and underpaid. The more you can do for yourself, the better. I couldn’t walk, but as soon as I could transfer to a wheel chair by myself I felt less trapped. And visits from friends, almost nightly FaceTime with Daisy and Stewart in NY, and in-person visits from Rucker and John M. helped immensely. The food is awful but I made liberal use of UberEats and my ‘brother’ Brian brought me protein shakes and mega-stuffed Oreos.

As for the fire, our neighborhood was miraculously spared, but I have friends just a few blocks north and others farther west who lost their homes…but not their lives. One such friend, the fabulous bassist John Clayton remains an inspiration. From the day of the fire onward, after both his family and his daughter’s family lost their respective homes, and years worth of music manuscripts, along with Ray Brown’s cherished bass, John remains positive, continuing to make exquisite music, supporting others, and mentoring up-and-coming musicians.

Mom and I returned the house in mid February, and got back to work. She turned 90 in August and continues to teach and supervise psychotherapists via zoom, with many of her students residing in China. Power to her! 

As for me, you’ve now come full circle on my news.  I have more new projects on the back burner, and I continue to study the craft of storytelling and creative nonfiction. I have one online workshop, The Art of Story, coming up with Tom Jenks, cofounder and editor of Narrative Magazine, the world’s first and foremost digital literary periodical.

I hope this newsletter finds you well and happy. I can’t do much about the world at large, but I can find joy and fulfillment in my own daily routines and in keeping my friends close even if that means Zoom or FaceTime and email instead of in-person. I hope you feel the same 

I wish you joy and laughter and lots of good music

Celebrating Luther Henderson

Today is the anniversary of his death.

Luther Henderson (born March 14, 1919 – died July 29, 2003) was a composer, arranger, conductor, musical director, orchestrator, and pianist. He was a proud black man who graduated from the Julliard School of Music in 1942, and in 1956, married a white woman, his second wife. He was Duke Ellington’s “classical arm,” orchestrating music for Beggar’s Holiday, Three Black Kings, and other symphonic works. Duke spoke highly of Luther, but seldom gave him the credit he was due. Luther was Lena Horne’s pianist and musical director. During his sixty-year career in music, he worked his magic on some of Broadway’s greatest musical hits, including Flower Drum Song, Funny Girl, No No Nanette, Purlie, Ain’t Misbehavin’, and Jelly’s Last Jam, starring such performers as Barbra Streisand, Laine Kazan, Robert Guillaume, Savion Glover, Andre Deshields, Tonya Pinkins, and Gregory Hines. His music was heard on television programs such as The Ed Sullivan Show, The Bell Telephone Hour, and specials for the pop stars of the day including Dean Martin, Carol Burnett, Andy Williams, Victor Borge, and Polly Bergen. In later years his Broadway credits included Ain’t Misbehavin, Jelly’s Last Jam, and Play On, but the project perhaps dearest to his heart was Classic Ellington a concert of Ellington songs arranged and orchestrated by Luther Henderson and performed by the City of Birmingham Symphony Orchestra conducted by Simon Rattle.

Just before he died he was named a National Endowment for the Arts Jazz Master. When his wife, Billie Allen Henderson, gave him the news he had a one-word response: “Recognition!” You can see the NEA’s brief video bio here.

Happy birthday my darling!

I love you yesterday, today, forever… just like it said on our wedding cake.

I know that some little part of you wished to make it to the 100th birthday milestone, not because you reveled in rituals or awards – everyone who knew you knows better than that – but I know you wanted that centennial happy birthday letter from Obama! Again, all who knew you are keenly aware that the value of that letter lies not in it’s Presidential nature, you have letters of thanks and commendations from prior Presidents, but because Obama is America’s first African-American President.

I will never forget inauguration day – a day you thought would never come. We hosted a small breakfast party in our living room. You, your son Michael, and friends Washington Rucker and John Mitchell – representing three generations of Black men – partaking of scrambled eggs with grits, bacon, and biscuits while talking about history and watching it unfold.

When the swearing in ceremony was to begin, plates were left behind and you four moved to straight-backed chairs much closer to the television. You could have heard the proverbial pin-drop and if someone had been able to gather up the tears of joy that were shed around the world when Obama was sworn in, mankind would never fear another drought.

During the hours we were glued to the television I saw other emotions as well — concern for Obama’s well-being, fear for his life, and fury when he and Michele got out of their car and walked down The Avenue…and oh yes, a great deal of pride. I am so glad you lived to see that day.

I am glad, too, that you lived to see some more personal milestones, growing closer to your children and grandchildren, and holding in your arms your one and only Levy great-grandson who will carry the Levy name forward.

Before you left, you got to read the many 100th birthday messages that people sent, and I saw how touched you were by their words. The only message I really wish you could have seen was a condolence letter I received from a total stranger — Sally, now an older woman and a jazz fan for decades, wrote “Mr. Levy was a great man (not only as an artist himself) but for his recognition of all these great jazz artists!”

You see, my darling, your legacy lives on in oh so many ways….

[here’s a link to the memorial card and letter to friends posted on Lushlife.com]

Thanksgiving

It’s 6 AM
and John’s asleep,
the house is quiet,
not nary a peep.

I’m awake,
or so I think,
is that an oven?
No, that’s the sink.

Bread’s a rising,
turkey’s roasting,
pie’s a baking,
we’re here, left-coasting.

Composing at my desk,
with java in a mug,
I send to friends and family
much love and lots of hugs.

Happy Thanksgiving!

p.s. Rifftides resurrected one of my favorite Thanksgiving memories in honor of Paul Desmond’s birthday. If you haven’t read it yet, click here.

Jazz For Obama – October 1 in New York City

This just in from JazzCorner

obama_concert705x90.jpg
Just as we were about to give a shout out for jazz musicians and jazz fans to get more involved in the November election, we get this notice about this incredible line-up of jazz musicians performing for one night only to present Jazz For Obama, a concert event to benefit Democratic presidential candidate Barack Obama:

  • Dee Dee Bridgewater
  • Dianne Reeves
  • Brad Mehldau
  • Joe Lovano
  • Roy Hargrove
  • Christian McBride
  • Stanley Jordan
  • Hank Jones
  • The Charlie Hunter/Doug Wamble Duo
  • Bilal/Robert Glasper
  • Stefon Harris
  • Roberta Gambarini
    …and special guests

The concert takes place at the 92nd Street Y’s Kaufmann Concert Hall on Wednesday, October 1 at 7:30 PM. The Kaufmann Concert Hall is located at Lexington Avenue at East 92nd Street. Tickets are $100 and available now at Jazz For Obama. A limited number of student tickets are available for $50. VIP tickets are $250 and include reserved seating and a post-concert reception. The concert is produced by Jazz for America’s Future. All proceeds benefit the Obama For America Presidential Campaign. Wednesday, October 1 at 7:30 PM at the 92nd Street Y’s Kaufmann Concert Hall New York, NY. You can only purchase tickets through Jazz For Obama

Free Admission – Excellent Music – 9/23/08

For those of you in New York City or the vicinity, I share with you an invitation to hear Bill Kirchner (soprano saxophone) and Marc Copland (piano) In Concert at The New School Jazz Performance Space on Tuesday, September 23, 8 p.m. [55 West 13th Street, between 5th and 6th Avenues, 5th floor]

In Bill’s own words:

Marc Copland and I have been friends and musical colleagues for 30 years, and we’ve played together many times in a variety of groups and settings.  Some of the best musical moments of my career have involved Marc, who is one of the most gifted and original musicians I know.

An example:  some years ago we played a duo concert, in which we did a free improvisation that went so well that I was able to transcribe it from a recording and orchestrate it.  It turned out as a very nice piece for jazz quartet and string quartet.  Once in a while, you get lucky.

I have every reason to think that we’ll be lucky at this concert as well.  I hope you can join us.

Brick Fleagel and Luther Henderson

I received an email this morning from Ed Danielson reminding me that today is Brick Fleagel’s 102nd birhday. Happy Birthday Brick. If you don’t know about Brick Fleagel, read what I wrote about him three years ago today  (drat! tempus is fugiting faster than I’d like!) and this email response from Bill Crow.

And if you don’t know who Ed Danielson is, he’s the host of The Morning Beat, KUVO’s weekday morning drive-time program. (You can listen to KUVO online here.) Ed’s been hosting the Denver program since June of 2001 and I have just learned that he regularly makes note of the birthdays of jazz musicians, both living and departed. In his email Ed asked if I knew when Brick died and while I once thought that date was circa 1981, I now think it was more like 1992 because Billie Henderson (Luther’s widow) remember’s Brick’s death as being shortly before the Broadway opening of Jelly’s Last Jam. Memories are suspect, however, so as a biographer I will have to keep looking for a verifiable date.

And speaking of Billie Allen Henderson, a respected actress and director in her own right, I want to tell you that she has established a Luther Henderson Scholarship Fund within the Juilliard School. A smashing evening benefit gala entitled “Spreadin’ the Rhythm Around” will be held on October 6th at Juilliard’s Jay Sharp Theatre. (Read more about the scholarship and gala here on the LHSF site and  here in JazzTimes magazine.)

Gerald Wiggins Memorial Tribute

To read Gerald Wiggins’ bio/obit, click here.

The Memorial tribute for Gerry Wiggins will be

Monday, July 28, 2008
6:30 P.M. – doors open
7:00 P.M. – 9:00 P.M. program
reception to follow on site

@ the Nate Holden Performing Arts Center

Theatre Address:
4718 West Washington Boulevard,
Los Angeles, CA 90016

Directions:
Click here for directions to the theatre>

Parking:
Conveniently located 1- block east of the theatre, complimentary parking is available at one of our two lots, located on the corner of Washington and Vineyard. Click here for a map>