On the air now

Just this moment received an email from old school chum Denardo Coleman. Yup, the drumming son of Ornette and I went to elementary and high school together. He just heard my dad and Ornette on the radio:

Every year radio station WKCR here in NY does a 24 hour ornette birthday broadcast, you can hear it today. Just heard your dad with him. http://www.columbia.edu/cu/wkcr/

Check it out.

I recently heard or read that the cost of internet radio fees was going to be so high as to be unaffordable to the broadcasters, so listen now, while we still can.

Thoughts upon awaking this morning

Did I choose the wrong metier? — I am a writer and as such my medium is the printed word. I am a biographer, charged with bringing people to life on the printed page. But even as I am in the midst of researching the Luther Henderson biography and writing People On The Page, a book about the process and nature of writing biographies, I have become mesmerized by multimedia, intrigued by video podcasts. Indeed I am becoming jealous of those whose have what I perceive to be the luxury of using audio and visual components in crafting their pieces.

Yesterday I watched online a new podcast created by Bret Primack for Sonny Rollins’ website. Bret does not have to struggle to find the words with which to describe Sonny’s intensity, or his warmth, or his prowess, when you can see and hear and feel it for yourself. Now don’t get me wrong — I know that what Bret does is not easy. Scripting, shooting, directing, producing films of any length is its own art form with it’s own dilemmas and challenges…I wish I knew how to do what he does so well! I remember too my reaction to the NPR radio piece that Sara Fishko did about John in January of last year — it was so good that it brought tears to my eyes and I told Sara then that I was in awe of her ability to distill someone’s very essence into the space of only several minutes. Her audio-only segment had, in my opinion, more emotional depth than the NEA’s very excellent biographical video clip about John, so clearly it’s not the added media component alone that makes the difference.

I am what I am, and will comfort myself with the thought that perhaps, on occasion, one of my finely-crafted sentences will evoke the envy of a videographer…the grass IS always greener, isn’t it?

I also awoke thinking about ways in which I can explore and incorporate the parallels between the work of a psychotherapist and that of a biographer — not only the reconstruction of a life, but also the nature of the relationship between biographer and subjects/sources and the complexities of transference and counter-transference. While in NY earlier this month I was telling a psychoanalyst friend about People On The Page and she said “hmmm, that’s a lot like the work that I do.” Then a few nights ago I had a conversation with a writer friend who is also a therapist and he agreed that there were similarities between the work of therapist and biographer. Okay, this is not a giant revelation; apparently it was not even a new thought to me, but one that had slipped my mind. So, just to be sure I was paying attention, the universe sent me another reminder message yesterday. While reviewing my note files, I came across an excerpted quote taken from an August 2000 newspaper article, “Writing from the Heart but Drawing on the Mind,” about novelist Amy Bloom. She said, “Some of the traits that led me to be a psychotherapist are the ones I find in myself as a writer. I’ve spent a lot of time listening to people, and I’m endlessly intrigued by relationships, particularly the gap between what people say and what they truly feel, and the gap between what they do and what they really want.” One might be able to ignore a one-two punch, but this thought has now come up three times in ten days, so I had best pay attention.

Another related thought has also reached my consciousness — with my mother being an analyst and my father a jazz musician, I am following in my parents’ footsteps as a biographer of jazz artists. Hmmmm….

Through Their Eyes

A few years ago, while in Washington, DC, I met a young photographer named Shawn Davis at a showing of some of his work shot in Cuba. It was the first time I ever bought a work of art directly from the artist, and, I believe, the first time I ever bought a photographic work of art (posters and museum prints in my younger days don’t count). Periodically I receive an email from Shawn and I am pleased to share with you news of his latest project — Visual Griots of Mali: African Children Tell Their Stories with Cameras. I have seen some of the childrens’ work online and I also bought the Spring 2006 issue of African Arts (published by The James S. Coleman African Studies Center, UCLA International Institute) that has a feature story about the project with wonderful accompanying photos, but this is an exhibit that I wish I could see in person.

(Actually, to be perfectly honest, this is the sort of project with which I wish I could be personally involved. To empower young people to share their stories and viewpoints — well, you can easily see that it’s an ideal quite compatible with my penchant for biography, especially those of the “less than famous.”)

Visual Griots of Mali
is the result of a project in which U.S. and Malian photographers helped the youth of the country create their own photographic documents of their lives. If you are in DC on Saturday, February 24 do yourself a favor and join Shawn at the National Museum of Natural History (Baird Auditorium) where at 12:00 noon he will not only introduce this landmark exhibition, but also screen the short film Malick Sidibé: Portrait of the Artist as a Portraitist (2006, 8 minutes). Here’s an excerpt from Shawn’s email:

This event, free and open to the public, is an opportunity to celebrate the enormous success of the 22 young students in Mali, West Africa …This will be a great chance to hear updates on how the photographs were received in Mali, what the local communities have to say about the project, how local DC area youth have been involved in the project, and what the President of Mali had to say about it all!! I’ll be giving a lecture that I promise will be full of fun photos and video footage. We hope to see you there. Please share this with your friends, family, and colleagues. The lecture hall is right next to the exhibit, so if you haven’t seen the show yet you can do both in one shot.

And if you can’t make the opening event, you have until April 27th to view the exhibit at the Smithsonian — then it’s on to Kansas City.

The exhibit is sponsored by the Academy for Educational Development and NMNH Office of Visitor and School Services.

So Sorry

I was missing in action…again. Just returned from 10 days in New York (cold, yes, but got out just before it turned really ugly-frigid) where I spent much time back at the Schomburg going through more of Luther Henderson’s files. I also spent some time with Mrs. H. and shot some very brief video snippets at their home for my People On The Page project. Now I’m back, warmed up so to speak, and playing catch-up with messages and mail.  In addition to the three books in progress (don’t forget John’s At the Feet of a Jazz Master), I’ve got a file folder full of notes to myself about blog topics so I had best get to work.

I’ll never learn…

Instead of paring down, I took on more. In the midst of all my writing projects, I have been building websites and blogs for people (arnoldrichards.net, missnancywilson.com, and boomerhead.com, to name a few) …..but it was for money. Got to do a little something to fill the coffers while waiting for the SnapSizleBop projects to earn their keep.

Speaking of which, we have now officially launched the At the Feet of a Jazz Master project — that’s the one based on John Levy’s long life in the jazz world. The end result of the project is a high-quality soft-cover coffee table book of exquisite color photos (shot by Leroy Hamilton) interspersed with short essays and vignettes that celebrate John’s life, the lessons he’s learned, and the legacy that he leaves. But there is much to the online project experience that will not make it into the book — for example, photos from John’s personal archives, lots of streaming audio on the SnapSizzleBop radio player, audio interviews with many artists and friends, and maybe even some streaming video clips.

We’ve launched seven participant levels ranging from the $30 Download Participant and the $50 Mail Order Participant, to the $2500 Collector Participant (includes a poster with dozens of great autographs) and the Enduring Legacy Participant that lets you give the gift of jazz education to the school of your choice for only $3500.

Here’s a direct link to the complete list of participant offers and here’s a link to the overall project description. I hope you’ll check it out.

Those were the days….

My ongoing, online, elementary school reunion (first mentioned back in June) suffered a brief hiatus when the politics got too hot and heavy, but I’m glad to say that we’re back in action albeit with more benign subject matter. We are currently focused on childhood memories of school plays, favorite foods, birthday parties and tv shows. One of the “boys” remembered playing frogman in the bathtub with another “boy.” The response?

Frogmen? In my bathtub? I remember being obsessed with scuba divers, having decided that this would be my future career at an early age after watching some TV show with Lloyd Bridges about divers. But I don’t recall playing with you in my bathtub.

The tv show seems to have been Seahunt, but I thought it might have been Diver Dan, which I remember watching. That led another classsmate to send me the lyrics and a link to hear Diver Dan:

Below in the deep there’s adventure and danger;
That’s where you’ll find Diver Dan!
The sights that he sees are surprising and stranger
Than ever you’ll see on the land!
He moves among creatures
Of frightening features:
Flashing teeth, slashing jaws,
Flapping fins, snapping claws!
He protects and he saves
His friends under the waves;
That’s where you’ll find Diver Dan!

Oh my, what we can find online. Suddenly, instead of working, I am trolling for sounds from childhood tv shows, such as Batman, Casper the Friendly Ghost ( I remember the visual, but I have no recollection of this audio), but I do remember this sound of the Chipmunks, and then there was Dick Tracy and of course Dudley Do-Right.

As you can see, I didn’t get past the Ds yet, but break time is over and it’s back to work for me.

No One Gets Out Of Here Alive

Now there’s a cheery thought to start off the new year. What a spectacle it’s been with the three major deaths in the news all at the same time. And what a trio: a villianous dictator/murderer, a past president, and the godfather of soul.

So what is it about death that makes us want to watch? Why have the masses been queing up to “say goodbye” to people they never met in life. How many hundreds walked through the rotunda and the Apollo theater to “pay their respects”? Millions watched on tv as the godfather’s gold casket arrived at the Apollo by horsedrawn carriage and a processional entourage. Today millions will watch Ford’s funeral and many will cringe while the current president delivers a eulogy — an honor that comes with the office and cuts both ways. But what’s really scary is how many millions of people would really have liked to have witnessed Sadam’s execution.

Maybe we all have a dark side, or maybe we like to view the dead to reassure ourselves that we’re still alive — you know, kind of like laughing at the guy who slips on the banana peel. Maybe we want to see the really bad guys die with our own eyes — seeing is believing. Of course, in the midst of all of this, we took a time out to watch the Rose Parade — those of a certain age watched especially to see the Star Wars’ Storm Troopers — followed by four games where bunches of guys tackled one another. What fun! But I didn’t stick around long enough to see how many, if any, got carried of their battle field.

You know I’d opt for music over politics or hoopla any day — perhaps a nice little requiem for the salvation of the souls of the departed.

Welcome

A warm welcome to all new readers of DevraDoWrite; thank you for taking the time to visit. And a special howdy-do to those who arrived by way of GalleyCat (thank you, Ron) or Grumpy Old Bookman (thank you, Michael Allen). I don’t think I’ve been this excited since I was blogrolled by Terry Teachout on June 13th of 2005.

Music, books, good works, and other reasons for living – that’s what this blog is about. In other words, whatever is on my mind – snapshots of my life as a writer and a reader, a listener and a watcher, a wife and a daughter. The categories under which these musings, opinions, and commentary are filed include Boos & Bravos, Notables, Hmmm…, Word Play, Writing Life, Reading Life, I’m All Ears, Jazz Ears, Date Specific, and This ‘n’ That. When I started out I on May 1, 2005 I was very good about posting five days a week, but in the last few months, working to launch the new projects at snapsizzlebop.com, I’ve been a bit less consistent. Getting back on track is one of my New Year’s resolutions.

Recently I enabled the Comments feature on DevraDoWrite, and although I am getting thoroughly splogged (I believe that’s the new word for spamming a blog), the valid comments that come through make it worth it, so I welcome your comments and hope to hear from you.

Happy Holidays!

ADDENDUM: If you’re visiting from OnePotMeal, welcome to you too! The folks there posted a nice mention that includes a great quote from Brian Camelio, the brains behind ArtistShare.

The Morning Before Christmas

It’s the morning before christmas with so much to do,
I can’t find my head, and can’t find my shoe.
I’m drowning in papers, my clothes in a heap,
away in the manger my husband still sleeps.

The sun has arisen, the air has a chill,
the streets are still quiet, there’s dew on the hill.
And then I remember, clear out of the blue,
I have to go shopping, oh where is that shoe?

Under and over, all through the house,
I look high and low, quiet as a mouse.
I find it in the kitchen, why I’ll never know;
doesn’t matter now, it time for me to go.

Oh wait, I can’t go, I must cease and desist,
I can’t leave the house before I make a list.
My friend is roasting lamb, and baking with her daughter,
her husband will tend bar…perhaps for me, just water.
Another friend brings corn pudding, all ready in a pot,
I get off too easy, hor’s d’oeuvres and veggies are my lot.

Crackers, cheese and olives, to snack on before,
tomatoes, and breadcrumbs, and more are in store.
The clock is a-ticking, I really must go;
thank heavens it’s California with nary a snow.
But first I must post this poem to my blog,
I almost forgot with my head in a fog.

On Slicer and Dicer, on Daughter, on Friend,
may such days be a-plenty, and never to end.
On Blogger, on Shopper, on Cooker, on Wife,
I won’t complain now, it’s the time of my life.

So picture me now in my Volkswagon sleigh,
saying “Happy Holidays to all, and to all a good day.”

Gifts That Keep On Giving

I was happy to learn that ArtistShare has a method that allows one to purchase a participation offer as a gift for someone else. This applies not just to my own project offers at SnapSizzleBop, but to any ArtistShare-powered project. My favorite “artists” include, in alphabetical order, Bob Brookmeyer, Billy Childs, Scott Colley, Jim Hall, Ingrid Jensen, Donny McCaslin, and Maria Schneider.

The ArtistShare site has pages with featured artists and featured projects. So check them all out, and be sure to visit SnapSizzleBop too.

Here are the instructions for giving the gift of participation:

The person giving the gift should purchase the Participant Offer as normal. After the purchase is complete, the purchaser should send an email addressed to programming at artistshare.com to let them know that they giving the Participant Offer as a gift and would like to transfer the account to the appropriate person. The gift-giver will need to provide the recipient’s name and email address. ArtistShare will transfer the account to the individual and let the purchaser know that the change is complete. They will also send an email to the person receiving the gift to let them know that an account/participant offer has been set up for them.