Angel Wing

It was just yesterday (technically early this morning) that I wrote about musical people who have left a void, and now I have just learned of the death of Lee Wing. You may not know her by name, but she wrote “An Older Man Is Like an Elegant Wine,” a song that was recorded to great acclaim by both Carol Sloane and Nancy Wilson.

Here’s a snippet from Nancy’s recording of An Older Man Is Like An Elegant Wine (that’s Toots Thielemans with her).

I never met Mrs. Wing, and all I knew about her was her talent as a songwriter. Now, reading her obituary (which I am posting below) I am fascinated to learn of her work in the fields of government and education. A common thread seems to be giving people a voice. Smart Start Kids is an Emmy-award-winning half-hour television program where preschool children are the “stars” of the show, and my eyes zoom in on phrases like “citizen call-ins,” and “connect people and their government.” It seems that her life touched on many of the same topics that I hold dear. Here, then, is her obituary from the Durham Herald-Sun, August 29, 2006.

Durham’s Honored Mrs. Wing dies

Lucie Lee Abramson Wing of Durham, who founded and served as president of Friends of University Network Television (WUNC) and was arts and communications policy adviser to Gov. Jim Hunt in the 1970s, died Sunday. She was 80 and had lived in Durham since 1965.

“I just loved her,” longtime friend Mary D.B.T. Semans said Monday. “She was so talented. I admired her so. She inspired me.”

Mrs. Wing also was executive director of the N.C. Agency for Public Telecommunications from 1979 to 1993, and created OPEN/net, a statewide satellite and cable television network with unscreened citizen call-ins designed to connect people and their government.

The network won the Ford Foundation and Harvard-Kennedy School of Government Award for Innovations in State and Local Government.

Mrs. Wing also received the Governor’s Award of Excellence and was inducted into the Order of the Longleaf Pine for her service to the state.

In 1993, she founded Responsive Media Inc. as a vehicle for new projects involving audience participation. She produced the Call-In Kids radio program from 1996 to 1999, and later created Smart Start Kids, produced by WRAL-TV, which won a regional Emmy Award in 2004.

Mrs. Wing also wrote music and lyrics. Her song “Pushing Forty” was recorded by Pearl Bailey and “An Older Man Is Like an Elegant Wine” was recorded by both Carol Sloane and Nancy Wilson.

From 1968 to 1972, Mrs. Wing was president of the Durham County Democratic Women. She co-chaired Terry Sanford’s 1972 presidential campaign and was a delegate to the 1972 Democratic National Convention.

“She was such a believer in democracy and worked for it all the time,” Mrs. Semans said. “She cherished the Constitution and everything about it.”

Former state Rep. George Miller of Durham agreed.

“She was really the one person who originally advocated open government in North Carolina,” Miller said. “That included the Legislature, the Office of the Governor, state agencies, and the like…. She had many talents.”

Mrs. Wing is survived by her husband, Cliff; her son and daughter-in-law, Steve and Betsy; their daughters, Ann and Marion; her son and daughter-in-law, Scott and Natasha; and their sons, Erik and Nicholas.

The family said it will announce plans later to remember and celebrate her life.

My condolences to Mrs. Wing’s family and friends.

Happy Birthday Thaddeus

On my CD player today I have three discs in rotation; they are The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra (Mosaic 1994). Thad, middle brother to Hank and Elvin, would have been 83 years old today. He was a brilliant arranger and band leader, better known for his dynamic conducting, harmonic constructions, section writing, and on-the-spot head arrangements than for his horn playing. But he playing was beautiful too. I mention Thad from time to time on this blog — A Week of Monday Nights last May, Once Upon A Monday Night last October, and just last week I mentioned seeing Ralph Gleason’s “Jazz Casual” tv episode featuring the band in the late 1960s. I guess I’d better order the Jazz Casual DVDs while supplies last.

I am so glad that my husband gifted me this boxed CD set when it came out a dozen years ago; being a “limited edition” it is no longer available. The brightness and bounce of Little Pixie seems particularly uplifting on this chilly, rainy day in usually sunny California. Happy birthday Thaddeus.

Influential People

I spent several hours yesterday pouring over archival records at The Juilliard School of Music. Among the papers from the 1937-38 academic year I found a flyer announcing a series of six lectures by Mlle. Nadia Boulanger. The price to attend all six 3 PM lectures (February 9, 16, 23, March 9, 23 and 30) was $15, or $7.50 for students.

Is it a coincidence of that I recently received an email from my friend Phil mentioning Mlle. B? The proud father wrote:

So, until this evening, I didn’t know that Nadia Boulanger taught Aaron Copland, Philip Glass, and Quincy Jones…courtesy of a PowerPoint report that Robin is organizing for her 6th Grade class.

Now that’s an interesting legacy. Makes me wonder how you and John will be credited as teachers and/or influences when Robin’s children write their 6th Grade reports.

Wow.

John gets letters now and then mentioning the day he said this or did that and how they never forgot it, whatever it was. Back then, Mlle. Boulanger probably didn’t know just how influential she was. You never know what effect your words and actions may have on someone else, whether at the time or much later.

Victor Borge In And On The Air

Around the time that Terry Teachout was watching Victor Borge on an old What’s My Line? episode (read TT’s reminiscence here ), I was perusing Luther Henderson’s papers and came across…Victor Borge.

One Wednesday evening, February 19, 1958 at 9 PM to be exact, CBS-TV broadcast “Victor Borge’s Comedy and Music.” This one-hour show was “Presented by the Big Bold Pontiac and your authorized Pontiac Dealer.” I know this because among Luther’s papers was a program, and I am guessing that there was a live TV audience. (Why else would there be a program for a television show?)

The opening number was described as follows:

Liechtensteiner Polka . . . . . . . VICTOR BORGE and the Orchestra
Mr. Popp’s arrangement of Mr. Borge’s conception of SHAMPOO MUSIC for the 16-piece orchestra under the baton of LUTHER HENDERSON, JR., Conductor and Arranger for the Polly Bergen TV show, Lena Horne, Duke Ellington, Andre Kostelanetz, and other top names in American music.

Pontiac got their monies worth as the program included several “commercial” numbers including:

STILL ANOTHER COMMERCIAL . . . . . starring MILTON CROSS narrator, and VICTOR BORGE
Mr. Borge performs variations on the themes of Pontiac greatness: style, performance and handling…and reaches an impressive conclusion. Narrated by Milton Cross.

There are a number of old television programs I’d like to view as part of my research for “Seeking Harmony: The Life and Music of Luther Henderson.” Thanks to the Museum of Television & Radio , I should be able to see this show, the Polly Bergen show, and a number of other programs for which Luther composed, arranged, and/or conducted music. Bea Arthur tells me that Luther even made an on-camera appearance in an episode of Maude, and I’m really looking forward to seeing that!

Some Jazzy Birthdays This Week and Next

Celebrating those who are here as well as though who are gone —
November 21: Coleman Hawkins would have been 101.
November 22: Happy 80th to Gunther Schuller; Jimmy Knepper would have been 78.
November 23: Happy 80th to Johnny Mandel; Willie The Lion Smith would have been 108.
November 24: Al Cohn would have been 80; Teddy Wison would have been 93.
November 25: Nat Adderley would have been 74 and Paul Desmond would have been 81.
By the end of the month, Ed Bickert and Jack Sheldon will be celebrating their 73rd and 74th birthdays, respectively; violinist Eddie South, Billy Strayhorn, and Gigi Gryce, would have been 101, 90, and 80 respectively.

John Levy Remembers Shirley Horn

Shirley Horn died last night; her daughter called us this morning. We hadn’t seen Shirley since she appeared in Las Vegas at the Johnny Pate 80th Birthday concert and celebration, playing in public for the first time with her then new prosthesis, but earlier this year she called several times, more often than in years past. I wonder now if she knew then how ill she was, but just didn’t say.

I have posted an excerpt from chapter thirteen of Men, Women, and Girl Singers ; John was Shirley’s manager way back when and they remained close friends throughout her life.

When I first heard her, I did not know the full extent of her musical genius. But I did know that she was special. Actually I didn’t even know whose voice I was listening to on the radio in my office. And I was even more intrigued by the sound of the piano accompaniment.

Here is the complete excerpt.

More Jazz Masters Links

In this post, Rifftides directed readers to some nifty info on the NEA web site. One of his links takes you to the Jazz Masters for 2006 (of which my husband is one), and another link to the Jazz Masters Features page where you will find links to a photo gallery (Images), a couple of interviews (Conversations), as well as the great group picture that was shot at the luncheon at the Hilton Hotel in NYC in January 2004. Only 23 of the 73 Jazz Masters at that time are in that photo. If you’d like to see the complete list of all the Jazz Masters with links to bios and various other goodies for each person (sometimes video clips, discographies, interview clips…), visit the IAJE web site, here for the first 73, here for the seven awarded in 2005.

P.S. For those of you in the Los Angeles area, soon-to-be Jazz Master John Levy will be the guest Friday evening (October 21th – 8 PM) at the World Stage for the second of this Fall’s World Stage Stories events in Leimert Park (4344 Degnan Boulevard, Los Angeles, CA 90008 | one block east of Crenshaw, north of Vernon between 43rd Place and 43rd Street |
FREE AND AMPLE PARKING!).

P.P.S. New Yorkers, save the date Thursday, November 10th, 6:30 pm-8:00 pm — John will be he guest of the Jazz Museum in Harlem for one of their Harlem Speaks events (104 E. 126th Street
New York, N.Y. 10035 | admission is free, for reservations call the museum at 212.348.8300).

Here’s To Life

Call it coincidence, or the work of spirits, but a few hours after I posted yesterday’s blog entry, Shirley Horn’s husband had his California friend to call John again. Shirley is indeed conscious, aware of what she sees and hears, even though she is unable to speak. John was able to call and speak to her while her husband held the phone to her ear; “she smiled when she heard your voice,” he told John.

The voice, whether used in speech or song, is a powerful instrument. When I was in the hospital with a breathing tube that rendered me speechless, the voices of friends calling from the opposite coast were comforting, but the most uplifting call of all was Joe Williams singing Here’s To Life a capella over the phone. I wish Joe were still here to sing it to Shirley.

Here’s To Life is a beautiful song by Artie Butler* who originally intended the song for Sinatra. Ol’ Blue Eyes passed on it, so Artie gave it to Joe, who performed it many times in concert, especially when accompanied by an orchestra. Joe wanted to record it, but only if he could do so with strings. The record company didn’t want the expense and so when Gitane came up with the money for Shirley to record with strings, Shirley called Artie, Artie called John who then called Joe, who, being his gracious self said, “but of course Shirley can record it.” Shirley’s CD, “Here’s To Life” was released by Polygram in 1992. Two years later, Joe recorded in England with Robert Farnon’s orchestra, and his “Here’s To Life” CD was released by Telarc.

Shirley is a fighter, and your prayers and well-wishes will give her strength. Cards and flowers may be sent to her at:

Gladys Spellman Specialty Hospital and Nursing Center
2900 Mercy Lane
Cheverly, MD 20785

*lyrics were written by Phyllis Molinary

Joyce Alexander Wein: October 21, 1928 – August 15, 2005

The following announcement was released today and I share it with you courtesy of publicist Sue Auclair:

Joyce Wein, wife and business partner of jazz impresario George Wein, passed away quietly Monday, August 15, at New York Presbyterian Hospital following a battle with cancer. She was 76.

Joyce Alexander Wein was born in October 21, 1928, in Boston, Massachusetts, the sixth of seven children of Columbia and Hayes Alexander. Her mother was the youngest of thirteen children, two of whom were born into slavery. Joyce attended Girls Latin School and at the age of 15, entered Simmons College, where she graduated with a major in chemistry in 1948 at the age of 19. After graduation, she started her career as a biochemist at Massachusetts General Hospital in Boston and later in New York at Columbia Medical School.

In 1959, Joyce Alexander married George Wein, founder of the Newport Jazz Festival, and gave up her career in biochemistry. Mr. Wein, an internationally known impresario, leaned heavily on her advice and partnership in the Newport Opera Festival and Newport Jazz Festival, the New Orleans Jazz & Heritage Festival, the Hampton Jazz Festival, and the Grande Parade du Jazz in Nice, France. In 1963, Mrs. Wein joined her husband and Pete and Toshi Seeger in founding the Newport Folk Festival, a major engine of the 1960s folk revival; her tireless work behind the scenes was critical to that event’s success.

A woman of great intelligence and tremendous dignity, she was a renowned art collector, extraordinary hostess, devoted friend and avid supporter of the arts.

A founder of the New York Coalition of 100 Black Women, the forerunner of coalitions around the nation, Mrs. Wein has been deeply involved with philanthropy and the arts. She was responsible for establishing the Joyce and George Wein Professorship Fund in African-American Studies at Boston University, and recently set up the Alexander Family Endowed Scholarship Fund at Simmons College. She has served on the Board of the Studio Museum in Harlem for ten years, and has partnered with her husband in amassing an important collection of paintings and drawings by African-American artists. (The George and Joyce Wein Collection of African-American Art will be shown at an exhibition at the Boston University Art Gallery from November 18, 2005 through January 22, 2006.) For the past ten years, she and her husband have partnered with Kenneth and Kathryn Chenault, the CEO of American Express and his wife, to host an annual dinner for Geoffrey Canada and the Harlem Children’s Zone, raising over $500,000.

In addition to her husband, Mrs. Wein leaves two sisters, Eugenia Manning of San Francisco, California and Theodora McLaurin of Hingham, Massachusetts and many nieces, nephews, great nieces and nephews.

Funeral Services will be held on Friday, August 19, at 11:30 a.m. at Frank E. Campbell Funeral Chapel, 81st & Madison. Interment following service at Woodlawn Cemetery. Donations can be made in her name to Studio Museum in Harlem, 144 West 125th Street, NY 10027.

Frank E. Campbell The Funeral Chapel
1076 Madison Avenue at 81st Street
New York, NY 10028
Telephone: 212 288 3500
Toll Free: 800 423 5928
http://www.frankecampbell.com/

[Photo of Joyce & George Wein in Newport, 2004 copyright Sue Auclair]