Gerald “The Wig” Wiggins
(b) May 12, 1922 –
Whether playing solo, leading a small group, accompanying a singer, or driving a big band, for more than sixty years Gerald Wiggins has been an ongoing contributor to the innovative art form called jazz. Those whose ears are well steeped in jazz might hear hints of the influences of Art Tatum and Erroll Garner, but such traces are fleeting and quickly give way to a style that is unique and recognizable. “The Wig,” as he is known to fans, friends, and family, has remained a true original. He is a quiet and unassuming man, not quite shy, but definitely modest; Wig is one who lets his music speak for itself.
Wig plays with an intriguing blend of lyrical simplicity and intricate harmonies that when combined yield subtle surprises that swing regardless of tempo. Writers, in an attempt to preserve the fleeting moments in which jazz lives, use words as diverse as witty, wry, mischievous, sensitive, subtle, soulful, spirited, elegant, funky, saucy, frivolous, whimsical, and masterful to describe Wig’s playing. But how can one describe something that evolves within each moment? As renowned jazz critic and historian Leonard Feather put it, “Wig has a style that transcends eras and idioms.”
NOTE: Friday night the Music Department Jazz Series at Santa Monica College will “Celebrate Wig” with special guest artists: Ernie Andrews, John Beasley, Oscar Brashear, Cora Colman, Leslie Drayton, Keith Fiddmont, Tootie Heath, Paul Humphrey, Jon Mayer, Herman Riley, Patrice Rushen, Lesa Terry, Nedra Wheeler, John B. Williams, and Ricky Woodard. If you’re in the Los Angeles area, celebration starts at 8 PM. The address is 1900 Pico Blvd., Santa Monica, CA. Free admisssion and parking.