Jazz And The Poet Laureate is the title of Mr. Rifftides’ piece today. I happen to be in Toronto this weekend with two poets who, as jazz lovers, have put their passions not only on the page, but into action. As poets, each has written about and been inspired by jazz, but beyond their talents as poets, their love of jazz has led them to contribute greatly to the lifeblood of jazz and so I wish to call Dana Gioia and A.B. Spellman to your attention.
A February 2003 headline in the San Francisco Chronicle read: “Who Is Dana Gioia? He’s a poet, a businessman, a Northern Californian and President Bush’s choice to head the National Endowment for the Arts.” Now, in his second term as Chairman of the NEA, Dana continues to elevate jazz, expanding the Jazz Masters program in his quest to make it equal to the prestige of the pulitzer prize. (Our good friend Terry Teachout, as a member of he National Council on the Arts, is well acquainted with Chairman Gioia.) Dana is an award-winning poet, essayist, critic, and author, and his poems have been set to music by numerous composers, from classical to rock. I asked Dana about this and he mentioned Dave Brubeck as one of those composers and also spoke of a joint performance he did in New York with Chico Hamilton. On his web site you will find his bio along with many links to poems, and excerpts from his works and interviews.
I met A.B. a few years ago through the jazz masters program but I did not know a lot about his background. A little web research yielded the following:
For thirty years A.B. Spellman was “a guiding force in the continuation and expansion of the NEA Jazz Masters program” and the NEA Jazz Master award given for Jazz Advocacy is now given in his name. He is an author, poet, critic, and lecturer. He was a poet-in-residence at Morehouse College, in Atlanta, Ga. He taught various courses in African-American culture; offered courses in modern poetry, creative writing, and jazz at Emory, Rutgers, and Harvard Universities. Spellman is an occasional television and radio commentator. He offered reviews and commentaries on National Public Radioâ€™s Jazz Riffs series, including the NPR Basic Jazz Record Library program. Mr. Spellman is a graduate of Howard University. read more
And from the History Makers website:
In 1966, Spellman’s writing career took off when he published his first full-length book, Four Lives in the Bee-Bop Business, an in-depth look at the lives of jazz musicians Cecil Taylor, Ornette Coleman, Herbie Nichols and Jackie McLean. The following year, Spellman joined a group of black poets touring the nation’s historically black colleges. From 1968 until 1969, he worked as a political essayist and poet for Rhythm Magazine, and in 1969, Spellman conducted a lecture series throughout the country teaching at various colleges including Morehouse, Emory and Rutgers. read more
Here’s a brief excerpt from A.B.’s poem titled After Vallejo
…when you come for me come singing
no dirge, but scat my eulogy in bebop
code. sing that i died among gods
but lived with no god & did not suffer
for it. find one true poem that i made
& sing it to my shade as it fades
into the wind. sing it presto, in 4/4 time
in the universal ghetto key of b flat…
And here on the NEA web site you will find links to audio of his reading of After Vallejo and his remarks to the National Council on the Arts in March 2005.
These two gentlemen are well worth knowing; they have done immeasurable good for the world of jazz and in support of jazz musicians in America.