Tonite

Sunday, July 9, from 11 p.m. to midnight (Eastern Daylight Time) “Jazz From the Archives” features the music of Eddie Harris. You can hear it online www.wbgo.org, or if you are in the New York City metropolitan area you can tune in to WBGO-FM (88.3). Producer Bill Kirchner writes:

Eddie Harris (1934-1996) started his professional career as a pianist, but he became one of the most distinctive post-bebop tenor saxophonists, with an appealing airy sound and virtuoso technique. He achieved popularity through a number of commercial hits, but those who knew his playing well were aware that he was a first-rate jazz improviser.

We’ll hear some of the best of Harris’s Atlantic recordings of the mid-to-late 1960s, featuring him along with pianists Cedar Walton and Jodie Christian, bassist Ron Carter, drummers Billy Higgins, Bobby Thomas, and Billy Hart, trumpeter Ray Codrington, and others.

Jail or Jerry’s Kids

A warrant has been issued for my arrest! I have been charged with having a big heart and will be apprehended on August 17th. As one of the “Most Wanted” I am going to be “Locked Up” to benefit the Muscular Dystrophy Association. You can help by contributing to my bail. They may even let me out on good behavior. My bail has been set at $1800, just enough to send three children to MDA summer camp. They tell me that I have an opportunity for immediate release for good behavior if bail is raised prior to the court date.

Don’t get confused. I have Multiple Sclerosis, not Muscular Dystrophy, but I have never felt right raising money for my own causes. And quite honestly, there are so many causes that I am usually immune to these solicitations. But these people got my attention with their novel approach (I think they are actually planning to send a car to “pick me up and take me away” on August 18th), and it is for children who would otherwise be denied a wonderful summer camp experience, an experience I loved but took for granted as a privileged and healthy youngster, so I agreed to participate. I can accept cash, check, or credit card donations (contact me via email if you want to send the donation c/o me), or you can donate online by going to this special page on the MDA website that is encrypted and protected by Verisign.

I promise that fundraising will not be a regular feature at DevraDoWrite, but it would be great if just this once you’d like to help out some kids who really could use a little joy in their lives.

Missing In Action Again

Sorry to have gone missing. I could plead pity for my infected jaw and my week on antibiotics, true and painful, but not so much so as to stop me from reading and writing, much of which this past week had to do with my ongoing class reunion — we now have a yahoo group and the conversations are many and varied, ranging from “do you remember so-and-so?” to how to save the world.

One of the topics I raised was actually a question my dad recently asked me: why aren’t today’s young people protesting against the war and the government? I mentioned that not having any children I feel rather far removed from “today’s young people,” but then wondered in writing, “and why aren’t we [protesting]? Are we too old, too complacent, too disillusioned….?” (As youngsters we were extremely political and outspoken. Not only did we attend marches in Washington and rallys in Central Park, we staged ourown mini-marches outside of FAO Schwartz protesting the sale of war toys. “GI Joe Must Go!”)

In response to my question, one classmate, an educator, reported having “escorted and travelled with groups of college-aged folk to several of the anti-war demos in the last few years. The demonstrations are FULL of young people; but there are way, way too few people, period. They are also full of people of our parents’ generation — but sorely lacking in folk of our own.” We ‘talked’ about our physical limitations, family obligations, and responsibilities that preclude the risk of jail for civil disobedience. Many of us sign petitions and discuss politics via the Internet, but as one classmate opined “I think we’re wasting our time getting distracted by the internet, when we should be on the streets. The kids are waiting for us to lead them there, and to join them there. They are waiting for us to organize the demonstrations, while we’re waiting for them to do so.”

I was glad to hear that there is more activity than is on my radar screen. I think the media downplays the protests today, at least I don’t seem to be as aware of them. Or maybe it’s just that they seem much smaller. Or maybe more activity on the East Coast? I’ve seen the occasional Los Angeles news report of some protesters, usually in Westwood (near UCLA), but they show only a handful of people with placards and drivers honking in support as they pass by. [Of course this is not counting the two recent immigration rallys and marches, but that was predominantly the Latino community mobilizing themselves…which is also a good thing] There are small protests against all kinds of things (movies, for example), and the opposers somehow find it easy to dismiss — “oh, it’s just them, not important, no big deal.” Also, those big protests back then were news while today they seem passe, a relic of an idea from the past, an idea that did not work…

I tell myself that there are many things I would do if I were single…part truth, part excuse. My husband, even though he is not about to join any picket line, says that when the middle class really starts hurting, then there will be a true revolution and we will all take to the streets. He figures that by then he won’t be here. Quite honestly, I find myself hoping that I’m not either. (I know that’s selfish, and easier for me to say because I have no children.)

That being said, I am not sure that protests in the street are any more effective than Internet petitions. Votes used to equate to power, but if They are controlling the elections (whether by lying or lobbying, rigging results, or just employing scare tactics), then even our votes don’t count. It’s a power and money game, and those who don’t have either can’t play.

Correction: A friend wrote in: “freudian slip?!?: “I mentioned that having any children I feel rather far removed from “today’s young people,” but then wondered in writing, “and why aren’t we?” Hmmm, I reply. Grandma always said “haste makes waste.” In a hurry to post, I failed to edit. The above has been corrected acordingly.

	

I’ve Got Mail: Animal World

Writer/Producer John Chacona writes:

In DDW this morning, you mentioned the Amy Sutherland book. As fate would have it, I listened to a podcast of an article by Ms. Sutherland just this morning. The print article from which the podcast is drawn is at:

http://www.nytimes.com/2006/06/25/fashion/25love.html

The link John provides takes you to “What Shamu Taught Me About a Happy Marriage,” an article by Sutherland who is now applying to her husband the techniques she learned from the animal trainers. Hmmm….

According to let’s call this (JC’s website) writing about the arts doesn’t pay his bills but it does keep him sane. On his site you’ll find links to many of his writings, including this one:
Musical Royalty: Pianist Bill Charlap grew up in a household surrounded by musical greats, including his parents. (Erie Times-News ShowCase, 1 June, 2006)

Animal World

I picked up a brand new book that I’m anxious to read, but priorities for existing projects are trumping my desires so it may be a while before I get to dig into “Kicked, Bitten, and Scratched: Life Lessons at the World’s Premier School for Exotic Animal Trainers” by Amy Sutherland. Who knew that California’s Moorpark Community College trained animal trainers? Well, I guess Ms. Sutherland knew. She spent a year following around the students and, I imagine, the animals. A blurb on the back says “Sutherland introduces us to the controlled chaos of a training zoo, wherein students and beats strive to maniupulate eah other.” These are the kind of books I love, narrative nonfiction — true storytelling — that give you a look inside a world you never knew existed.

Like She Said

“I don’t think I can learn from a wild animal how to live in particular . . . but I might learn something of mindlessness, something of the purity of living in the physical senses and the dignity of living without bias or motive.” — Annie Dillard, Pilgrim at Tinker Creek (1973)

Reunion

I mentioned making a quick trip to New York earlier this month. It was a last minute decision to attend a school reunion. The fact that is was an elementary school reunion seems to be of much amusement to my friends from recent years. It wasn’t until I noticed their amused or bewildered reaction that I realized, or rather remembered, just how unusual, and privileged, my early schooling was — privileged for two reasons, neither of which being that it was a private school. The first reason is the school’s philosophy, described today on their website as follows:

“Education at the School is experience-based, interdisciplinary, and collaborative. The emphasis is on educating the whole child — the entire emotional, social, physical, and intellectual being — while at the same time, the child’s integrity as learner, teacher, and classmate is valued and reinforced.”

The School for Children is a demonstration school for what is now known as the Bank Street College of Education. When it began in 1916 is was the Bureau of Educational Experiments, a research group founded by Lucy Sprague Mitchell. The group decided that they could best study child development, with the fewest restrictions, if they had their own school, so they started with a nursery school in 1918. Mitchell was not the only one with progressive ideas, a Dewey-esque learning by doing approach; her two colleagues, Caroline Pratt and Elisabeth Irwin also founded schools in Greenwich Village, City and Country School and Little Red Schoolhouse, respectively. And when BEE’s kids “graduated,” most continued their education at one of those schools.

In 1930 the school acquired and converted the old Fleishman’s yeast factory at 69 Bank Street, that was the building where we attended school, but it was not until the late 50s that they decided to start adding classes so that the oldest students could stay on…and so that they could continue to study us and train teachers in our classrooms. When we graduated from 8th grade we were only the third class to do so. We were 69 Bank Street’s Class of 69. We were a special group; I thought that then, and I still do.

The second privilege, likely a result of the first, is that my little class (class size was always small, about 18) was more like a family than a class, and that closeness became evident once again when we began to reconnect. Half of our class attended school together, grew up together, for nine, ten, and eleven years. Although most of us had not been in contact since our only prior reunion in 1994, and some had been out of touch since graduation, it was as if the intervening years melted away – the fondness of one another, the school, and I suppose our lost youth, coupled with curiosity, eroded any obstacles. Of course we are each closer to some than to others (as it was then, so it is still today), but if old sibling-like rivalries existed in the past, they are no longer evident and the strong bond forged in the 1960s remains today.

Soon after we graduated the school moved uptown, grew in size, and its attitudes changed with the times. Their focus shifted to their immediate operations and they lost track of and interest in their graduates. They even lost our records. We found that out when we organized our own reunion twelve years ago. Of course their interest peeked when someone told them of our 25th-year reunion and gave them addresses – suddenly they were interested…in our checkbooks.

Most of our teachers are gone now, a few retired or moved on to other careers, but many have died. They were the ones who, with guidance from the educators at the college, saw us through. We are happy to have also reconnected with Pearl Zeitz, our 7s teacher (we didn’t have “grades”), and Peter Sauer, our science teacher who came on board during our last two or three years because parents began to get nervous about how we would fare in “the real world.” And of those no longer with us there are a few who we miss and remember fondly: Hannah McElheny (6s), David Wickens (8s), Betty Crowell (9s), Muriel Morgan (10s and 13s), and Hugh McElheny (music). The educators who studied us are long gone, replaced by administrators and fundraisers. I’d like to think that Lucy Sprague Mitchell, Barbara Biber, Edna Shapiro, John Neimeyer, and others at the College, along with our teachers, would have wanted to know how we, their experiments, turned out. I think they’d all be pleased.

Listen, Listen, Listen

From Miklós Rózsa’s Double Life

“The local critic didn’t like the piece, which poses the question: does one write for the public, or for the critics? Three thousand people applaud enthusiastically and one journalist makes uncharitable remarks. Which is more important? And how do critics feel able to make a definite judgment after one hearing? As a composer, I would never presume to do such a thing. When my pupils brought their music to me I always made them play it twice, something I learned from Honegger. There is too much of the unexpected in a first hearing; after a second hearing things begin to fall into place.”

Congratulations

The Jazz Journalists Association has just bestowed its awards and a few of my friends are among the winners.

I honestly don’t think much of most awards programs as they are usually beset with much organizational baggage, be it personal or political favoritism, a lack of well-thought out criteria on which to judge, or at worst, a complete disregard for the criteria. My lack of enthusiasm for the process is equal whether it be the JJA Awards or the Grammys. Is anyone’s efforts better than another’s in this particular year? Can you really confine your judgements to calendarized boundaries? And how about rewarding those who took giant risks that may have “flopped” but were nonetheless artistic feats?

Nevertheless, all accolades are a good thing, something we all need…and assuming we all “work” at our respective crafts, encouragement is something we all deserve. So in that light I offer my personal congratulations to my friends who are all hard-working, dedicated artists, every day of every year:

Making A Difference

Yesterday I saw an article in The New York Times (Facing Their Scars, and Finding Beauty) about a portrait painter who has done a series of strikingly beautiful pictures of burn victims. Andy Newman wrote:

“The painter, Doug Auld, 52, says that if people have a chance to gaze without voyeuristic guilt at the disfigured, they may be more likely to accept them as fellow human beings, rather than as grotesques to be gawked at or turned away from.”

Admittedly, as Newman points out, the painter is making a living and even gaining some notoriety for this project, but he is also making a difference, not only in the lives of his eleven adolescent and young adult subjects (one of the ten portraits is of two sisters), but potentially in the lives of everyone who views these portraits.

Auld has a website featuring this State of Grace project; here’s an excerpt from his mission statement:

I cannot think of a more difficult time to endure such a tragedy then to be facially burned as a teenager. A time when most normal teens are coming into forming friendships, sexual awareness, and dating. A time when ones self- perception is so fragile. An adolescent scarred by burns would be forced to grow up fast and develop a sense of who they really are at their core.

…I hope to show the inner beauty and courage of these young people. They have endured a hardship that has forced them into a place most of us know nothing about. I want an audience to see this and confront the traditional issues of acceptance and rejection due to surface deformity.

…I am not interested in shock. I am interested in reality and confrontation. These works confront the viewer with our fear and our repulsion of the unknown while simultaneously displaying a unique disarming beauty.

In his project history Auld concludes:

“Science has determined that what we call ‘beauty,’ is determined by angles, measurements and symmetry of features. However, non physical ‘human’ traits such as personality, inner strength, confidence, and character can redefine our perception of who we find to be beautiful.”

After I won my war with cancer ten years ago I thought a lot about doing work that could make a difference. My past careers as a publicist and computer trade book author seemed shallow and unrewarding, albeit lucrative. Post cancer, I did do a few projects for Microsoft Press to pay off the medical bills and keep up with my overhead, but I was still searching, still berating myself for not volunteering at a children’s hospital. When I returned to California I taught computer science, “Education is a valuable service,” I told myself. I taught one year at a local community college and a second year at a state university, but I was greatly disillusioned by the students’ complete lack of interest. It seemed that the students were just marking time, and that reconfirmed my cynical assessment that college is wasted on the young.

During this time I completed the book I had started many years before (my husband’s biography) but I was acutely aware that I had never studied the craft of writing. I had read many books on craft, but I knew enough to know that there was much more to learn. So I went back to school myself, to get another master’s degree in creative nonfiction. During my two years in that program at Goucher College I wrote a book that has yet to find a home with a publisher.

Roots and Wings is an intimate portrait of a group of teachers who trip over their own passions and predilections for the betterment of their students and education as a whole. Every year, these teachers work with their students at a California private school to produce the sixth grade project, always an original and often abstract creation melding music, dance, theatre, art, and technology to express a theme relating to core academic subjects such as social studies, language arts, or science. It is the culminating event prior to graduation. Cathleen, the arts coordinator, is on a mission to integrate the arts with core academic subjects. Not all of the team is onboard, and challenges range from pedagogical differences and personal insecurities, to the amorphous nature of the creative process and a lack of objective measures of accountability and success. Even in a private school the challenges are huge.

Being a proponent of the arts, and one who bemoans the lack of arts education our schools, I thought that this story about a school that integrates arts education with basic core curriculum could make a difference. Naive, perhaps. I am still looking for stories that can make a difference, and hopefully stories that can also sell. The Luther Henderson biography, currently in progress, means a lot to me personally, and I do believe his contributions to music and the stage should be noted and preserved. Interviews have made it clear to me that Luther made a difference in the lives of those he touched, and that is perhaps all that any of us can hope for — to set a good example and be helpful to those we encounter. Meanwhile, still looking for that story that will make A Big Difference with a capital D, I applaud (with a touch of envy) those like painter Doug Auld, and even TV personality Ty Pennington of Extreme Makeover, who have found a way through art and entertainment to make a living while making such a powerful difference in people’s lives.