Maria Schneider Orchestra played a wonderful concert at Disney Hall last night, about which I plan to tell you in detail, but not tonight. I will tell you now that Esa-Pekka Salonen was in the audience, as was Dianne Reeves (straight from her Grammy win — congrats to you Dianne), Don Grusin, Peter Sellers and lots of other wonderfully creative folks. The orchestra was well-received, two standing O’s and an encore. Anyway, more later. My mother is in town visiting for a long weekend, so bloging may be light for the next day or three.
Category: This ‘n’ That
miscellanea
Rescued
Some days I can whip off a blog post, no sweat; other days seem crammed full of demands leaving me with little if any time to think, let alone blog. [Hmmm, blog as a verb? Funny think how quickly nouns become verbs these days — something I have been known to abhor in days past.]
Anyway, I have at least two more posts in mind to wrap up my account of our New York trip, but haven’t written them as of yet. To tide you over, pianist George Ziskind has come to my rescue, providing me with a brief account of the Sonny Rollins event that I, and hundreds of others, missed out on. According to a bio blurb I read, George is “an ex-Chicagoan, pianist, and child of the bebop age, who has lived in New York City since the mid-’60s. He was one of Lennie Tristano’s first students and notes that, “The low point of my career was a month spent as musical director for Brenda Lee. The high point is yet to come.” He believes in: “God, Country, and Art Tatum (not necessarily in that order).” You can read his I Remember Tadd [Dameron] on the Jazz Institute of Chicago web site. Here’s his IAJE Rollins Report:
In a room holding about 2000 people who began taking the best seats more than an hour before hit time, a smallish area at one end was set up as a stage. Props were minimal: two armchairs bisected by a small table holding a couple bottled waters and glasses. The pre-event buzz in the room was electric and palpable. We were all waiting for the chairs to be filled with Sonny Rollins and Ira Gitler, the former to be interviewed by the latter.
This was more than one of the deans of jazz journalism talking to the premier living tenor player. Ira actually produced Sonny’s first date as a leader, over 55 years ago. They are as connected as (with apologies to the Bergmans) two branches on a vine. They are surely two bebop emblems.
At long last, out walked Ira, and then – Sonny, followed by instant standing ovation. (Not one of those “I’d better stand up because everyone else is standing up” ovations; rather, the whole room rose en masse, as if on cue. The joint levitated.)
Sonny was togged out in Full Icon mode. Navy blue suit, white shirt with that dressiest of accoutrements, a white four-in-hand. This was topped off with shades and a rakishly-angled beret. He looked downright magisterial.
For more than 75 minutes, Ira would throw out a topic or an event; Sonny then grabbed the ball and expounded. A few of the many topics:
– 1949, a seminal year that found Sonny recording with the likes of J.J., Bud, Fats, Kenny Dorham, John Lewis, and on and on;
– vibrant Harlem in his growing-up years of the ’30s and ’40s, having neighbors like Jackie McLean and Bud Powell;
– drugs, during which Sonny spoke in slow, measured words. He told how many who got caught up in drugs were loathe to talk about it later on, but how his late wife Lucille told him “Sonny, you have overcome drugs so you have no reason to hide this fact”;
– Ira pointed out Sonny’s ability to go on and on with a tune, draining every possible drop of improv from it, until the crowd would erupt in applause. At which, Sonny would plow back into the meat of the tune and deliver yet another 15 minutes of even more intense improv. At hearing this, Sonny did a piece of rare-for-him schtick: he put on an accusatory look and said to Ira, “Oh – so you’re calling me a ham?” The room erupted in laughter.
No breaking news was divulged; rather, just two guys chewing the fat. But, two guys who are surely beentheredonethat in what A.B. Spellman called “the bebop business.”
I know in years past that some IAJE events were audio taped and made available for purchase. If they are available, I plan to buy a copy of the interviews with Sonny, Clark Terry, and Billy Taylor. I haven’t yet found a link for same on the IAJE web site, but I have a call in to the powers that be asking about this and will post the info when I receive a response.
Did You Miss Me?
For some reason that I cannot yet fathom, all of my laptop’s network connections have failed on me — the wired Ethernet jack, the wireless PCMCIA card and the wired PCMCIA — so I have been unable to get online to blog from New York. We’re still here in the Big Apple, flying home tomorrow, and I’m posting a quick note to you from Studio D in the Sony Recording Studios on West 54th Street in New York. It’s been a whirlwind week plus here, all very exciting and exhilarating. After a busy week of John doing interviews, signing autographs and becoming a National Endowment for the Arts Jazz Master (along with Ray Baretto, Tony Bennett, Bob Brookmeyer, Chick Corea, Buddy DeFranco, and Freddie Hubbard), we spent yesterday and today with Nancy Wilson and our friends from MCG Jazz as they finish up Nancy’s new recording. The CD, which will be titled Turn To Blue, features a number of guest soloists and today there are four Jazz Masters in the room at one time: Nancy, Jimmy Heath, Dr. Billy Taylor, and John (no, John is not playing). Regina Carter, who is down the hall mixing her latest recording, stopped by just in time for a sip of celebratory champagne. Looks like a wrap. I’ll be back online no later than Wednesday with a full report of our trip.
On The Air
John Levy was on Tavis Smiley’s radio program this week. Tavis Talks is aired via PRI (public radio) in different cities on various stations at various times. The interviews are also posted on the web, but I do not know how long they remain there. Click here to go to Tavis Talks and then click on The Tavis Smiley Show From PRI to see the interviews — click on one to listen.
And while we’re talking radio, this just in from my friend Bill Kirchner:
Recently, I taped my next one-hour show for the “Jazz From the Archives” series. Presented by the Institute of Jazz Studies, the series runs every Sunday on WBGO-FM (88.3).
Sometime in the mid-1950s, a young woman from Detroit named Sara Cassey (1929-1966) moved to New York City. For a few years in the late ’50s and early ’60s, while she worked for Riverside Records, her beautifully-crafted pieces (calling them “tunes” doesn’t do them justice) were recorded by Clark Terry (with Thelonious Monk), Hank and Elvin Jones, Billy Taylor, Junior Mance, Johnny Griffin (with Barry Harris), Stan Kenton (with singer Jean Turner), and
others. Cassey committed suicide at age 37, and she has been virtually forgotten. But her music still sounds fresh and original, as recordings by the aforementioned artists and others demonstrate.The show will air this Sunday, January 8, from 11 p.m. to midnight, Eastern Standard Time.
NOTE: If you live outside the New York City metropolitan area, WBGO also broadcasts on the Internet at www.wbgo.org.
Back In The Box
It’s time to pack up The Christmas Box again, the small fake tree, strings of indoor lights, ceramic ornaments made by a friend, the snowman candle holder. At the top of the box will be the Christmas music – six CDs and three old cassettes that I play pretty incessantly during the month of December, after which I am glad not to hear them again for another year. They’re all great, but the first one on the list is my all-time favorite…talk about swinging! They are:
- Christmas Cookin’ — Jimmy Smith (Verve)
- The Christmas Song — Nat King Cole (Capitol)
- A Jazz Piano Christmas — 17 fabulous pianists including Tommy Flanagan, John Lewis, and Junior Mance (NPR Classics)
- Christmas with Etta Jones (Muse)
- A Nancy Wilson Christmas (MCG Jazz)
- Guitars for Christmas — Joe Negri (MCG Jazz)
- The Three Tenors Christmas — Carreras, Domingo and Pavorotti (Sony Classical)
- Christmas Classics for Guitar – Steven Pasero (Sugo)
- Christmas Island — Leon Redbone (Private Music)
The poinsettias get to stay in the house, but we’ll have to see how long last as I do not have the greenest thumb where potted plants are concerned. We didn’t hang the icicle lights from the roof this year, so they’re still in the box. Outside, the light-up snowman family and a few light blankets (not strings) must also return to the garage where all will hibernate until next year.
Getting Started
I thought I’d be off and running with the start of the New Year, but I find myself thinking and moving in slow motion on these first days of January 2006. I don’t know whether that’s good or bad, but that’s how it is. I have much to do this week, too. John and I leave Sunday for New York City where we will attend the 33rd Annual IAJE Conference (International Association of Jazz Educators) and during which John will become one of the 2006 NEA Jazz Masters. The conference is huge (over 7000 people attend) and the NEA award is a tremendous honor.
The festivities will begin on Wednesday evening when John’s longtime client, Nancy Wilson, hosts the Gala dinner. Panels and such begin in earnest on Thursday — I’m especially hoping to catch Billy Taylor talking about his life with AB Spellman, and Ira Gitler’s onstage interview with Sonny Rollins.
Friday, the big NEA day, includes the Jazz Masters’ Luncheon, the invitation-only cocktail reception and the NEA Jazz Masters Awards Concert honoring Ray Barretto, Tony Bennett, Bob Brookmeyer, Chick Corea, Buddy DeFranco, Freddie Hubbard, and John Levy, MC’d by Ramsey Lewis and Nancy Wilson. If I can manage it, I’d also like to hear Dan Morgenstern interviewed by Steve Schwartz (before lunch) and Clark Terry interviewed by Nat Hentoff (between lunch and cocktails).
Saturday will be another big day for John as he will be attending the rehearsal of Vocal Legacy (his latest project – I will post more about that tomorrow), participate in a Jazz Masters Panel from 1-3 and then move onto the exhibition hall for a book signing hosted by MCG Jazz (3 pm in booth 358-359). Nancy Wilson, who also records on the MCG Jazz label will also be on hand to sign CDs. And then we will all be at the 6pm Vocal Legacy show featuring vocalist Clairdee and guitarist/singer Henry Johnson.
I guess I’d better rev up my engines.
Happy New Year to everyone, everywhere.
Chaos Is Over…for now

The kitchen/family room renovation is finished, yippee! It looks quite nice if I say so myself. What began as a way to replace some old counter tiles and make the kitchen cabinets more user friendly (didn’t want to have to get down on my knees and reach back into the bottom of a dark cabinet for items I couldn’t even see) mushroomed a bit. In the process of replacing the cabinets with drawers of various depths that pull out all-the-way, we also reconfigured the kitchen a bit — moved the refrigerator, built a pull-out pantry cabinet behind it and extended a second counter. We also tore up the old linoleum flooring and replaced it with tile.

The top picture on the left shows the new main counter with the Galaxy Red tiles purchased at Contractor’s Tile Mart in San Gabriel, and below that, the piece de
resistance, the custom-built pantry specially designed by Ross Hoagland of Halcyon Artisan Contracting in Altadena. What you see in the center of the picture are two ‘drawers’ that pull out sideways from behind the refrigerator; behind them is a doorway. [Note: I am mentioning by name only those people/establishments with whom I would willingly work again. Anyone who has ever done any home renovations knows that is high praise indeed.] Top right shows the extended second counter, and below that is the flip side of the main counter as seen from inside the family room. The original plans also included replacing the worn blue carpet in the family room with bamboo flooring.

I had not intended on painting the family room, but the change from deep raspberry to yellow made the room feel larger and everything in it felt new. The fireplace, the bricks around which were looking old and crumbly, suddenly took on a new life, standing out against the floor and walls. The shallow brick mantle is now lined with bamboo and there are two small bamboo trim pieces running down the sides and across the base. About the paint: the family room walls are flat yellow with the ceiling and trim painted glossy with a 10% tint of that same yellow. The kitchen walls and ceiling are all the same glossy 10% color, with the exception of the beam over the main counter that is painted 
with the same yellow as the family room, making the two rooms feel more like one big space. Blue turned out to be the accent color, with the blue leather couch, blue upholstered bar stools, touches of blue in the draperies, and blue in the new lighting fixtures. These were so cool looking that I used them in both ‘rooms,’ again to join the rooms together. There are three bars of lights in the family room, and the kitchen has two bars and three circles.
Can you tell I’ve been watching too much Home & Garden TV?
Powerless
No, this is not a political message. My house has been without electricity since yesterday morning. Warning signs came a day and two before, but we didn’t get the message…and even if we had, I doubt anyone would have found the problem. A couple of days ago, the outdoor outlet that we wanted to use to power Christmas lights wasn’t working. It is on the same circuit as the master bathroom and my alarm clock was on the fritz too. I checked the circuit breakers and all were in the ON position, then finally I thought to push the little red Reset button on the switch in the bathroom and all was well…or so I thought.
I spent Christmas day cooking (thank you Julia Child; and thanks girlfriend for lending me the cookbook) — butterflied leg of lamb with dijon marinade, tomatoes provencale, broiled peppers and asparagus drizzled with olive oil and pepper. Another girlfriend came early and made the mashed potatoes – lots of butter and half-and-half, yum. Other contributions included wine and sparkling cidar, guacamole, rolls, and our youngest guest and her mom brought wonderful homebaked Christmas cookies. Just as we were about to sit down to eat, the lights began to flicker ominously, but the power did not actually go out. So we turned off a few light switches, lit a few candles, and enjoyed the food and friendship.
It wasn’t until yesterday morning that the power went out, pretty much throughout the house with the exception of the guestroom and the stove and one bathroom light. No heat, no cable tv, no cable modem, no outdoor Christmas lights…. The Edison man came out and found the problem inside the service panel — a fat bundle of copper wires that connect to a clip of some sort were no longer connected, and the bundle was visibly frayed and fried. “Not our problem,” said the Edison man. “Your electrician will have to fix this…but don’t let him tell you that you need a whole new panel.
Christmas having fallen on a Sunday meant that yesterday was an extra holiday, and my contractor, who is also a master craftsman of several trades including electrical, was out of town. “Run an extension cord from the guest room to the refrigerator, and I’ll be there first thing on Tuesday,” he told me when I rang his cell phone. I guess that’s the contractor’s equivalent to “take two aspirin and call me in the morning.”
True to his word, the crew arrived this morning to finish off some detail work from the renovation and to handle the new “emergency.” If it’s not one thing, it’s another. I’ve just now got my power back and have a lot of catching up to do. Sometime tomorrow I’ll post pix of the newly renovated kitchen and family room.
I hope everyone had an enjoyable holiday and is ready to ring in the new year.
I’ve Got Nerve: Poetry Out Loud
The other day I was talking with a friend about writings and recitations from childhood. He had just rediscovered a wonderful Christmas story that his daughter had written when she was all of 11 years old, and I had re-encountered a hilarious recording of ten-year-old me reciting Paul Laurence Dunbar’s poem In The Morning. My neighbor said “post it on your blog” and I laughed.
Then yesterday, courtesy of About Last Night, I was directed to Verse By Voice, a poetry meme of sorts at Coudal Partners, where people call in, recite a favorite poem, and some get chosen for posting on the web site. Laura Demanski, a/k/a OGIC/Terry Teachout’s co-blogger, is among those selected; she’s reciting Gerard Manley Hopkins’ Spring and Fall: to a Young Child.
I don’t know if any of my colleagues in the blogosphere have any old recordings (poetry, songs, instrumentals, radio air-checks…) from days of yore, but if they do, I hope they will follow suit and post some…it seems a fun spin-off idea. So here I go — and when you fall out laughing, please remember that I was only ten and attempting, without any relevant experience, to impart the dialect in which Dunbar wrote.
(If you’re not familiar with the poem, you might want to read it first or follow along — I found the text online at Poetry Archives, a site created “to provide a simple interface into a dynamicially generated, database driven website archiving thousands of copyright free poems.”)
In the Morning
by Paul Laurence Dunbar‘Lias! ‘Lias! Bless de Lawd!
Don’ you know de day’s erbroad?
Ef you don’ git up, you scamp,
Dey’ll be trouble in dis camp.
T’ink I gwine to let you sleep
W’ile I meks yo’ boa’d an’ keep?
Dat’s a putty howdy-do–
Don’ you hyeah me, ‘Lias–you?Bet ef I come crost dis flo’
You won’ fin’ no time to sno’.
Daylight all a-shinin’ in
W’ile you sleep–w’y hit’s a sin!
Ain’t de can’le-light enough
To bu’n out widout a snuff,
But you go de mo’nin’ thoo
Bu’nin’ up de daylight too?‘Lias, don’ you hyeah me call?
No use tu’nin’ to’ds de wall;
I kin hyeah dat mattuss squeak;
Don’ you hyeah me w’en I speak?
Dis hyeah clock done struck off six–
Ca’line, bring me dem ah sticks!
Oh, you down, suh; huh, you down–
Look hyeah, don’ you daih to frown.Ma’ch you’se’f an’ wash yo’ face,
Don’ you splattah all de place;
I got somep’n else to do,
‘Sides jes’ cleanin’ aftah you.
Tek dat comb an’ fix yo’ haid–
Looks je’ lak a feddah baid.
Look hyeah, boy, I let you see
You sha’n’t roll yo’ eyes at me.Come hyeah; bring me dat ah strap!
Boy, I’ll whup you ‘twell you drap;
You done felt yo’se’f’ too strong,
An’ you sholy got me wrong.
Set down at dat table thaih;
Jes’ you whimpah ef you daih!
Evah mo’nin’ on dis place,
Seem lak I mus’ lose my grace.Fol’ yo’ han’s an’ bow yo’ haid–
Wait ontwell de blessin’ ‘s said;
“Lawd, have mussy on ouah souls–
(Don’ you daih to tech dem rolls–)
“Bless de food we gwine to eat–”
(You set still–I see yo’ feet;
You jes’ try dat trick agin!)
“Gin us peace an’ joy. Amen!”
I’ve Got Mail: More Discussion
Just Muttering has weighed in again, via email as I do not use the Comments feature favored by some bloggers. I get enough spammail as it is, and simply do not have time to monitor blog comments. However, I love to post readers emails — even if they disagree with my opinions — so please do write in. So without further ado:
…I was relieved that someone else wrote about Pinter and Wallace so I wasn’t the only grouser. And I wanted to say two things about all this. One is that I totally agree with you about the importance and need for disagreement and speaking-out. My disagreement is with the tone that those who dislike the current political moment are taking (with an exception of your calm voice!). It seems to me that intellectuals, of all people, could refrain from overlaying their disagreement with disgust and disdain. And yet they are the most vituperative and angry. Apparently Bush struck a very unpleasant cord (chord?) for them and it’s been downhill ever since.
The second thing is about the economy. You say that the “booming” “may be true for the upper middle class and beyond, but all those who have lost their jobs to cheap labor in India and elsewhere, or been laid off due to mega-mergers, are not feelig [sic] so flush”. I’m not sure how you’re defining middle class, but all the markers I’ve read about say that the improvement is across the board/classes. Outsourcing actually hasn’t replaced anyone, even though it seems as if it would have. Dell, among others, says they didn’t lay one employee off in that change. As for mergers, there were far more megamergers twenty years ago for one thing and the current ones are almost devoid of layoffs, which is an interesting change. Truly, economic indicators are that we’re doing well. Not at the levels of the 80s, but well, and perhaps more reasonably than then. Unemployment is lower, housing purchases are higher, etc….
Incidentally, do you honestly think there can be total transparency in government? To the extent that the keepers of a state are in loco parentis (and although I hate to use that phrase), there are some things they cannot let us all know about because we are not all trustworthy. To my mind, that’s why there are the other two parts of our government – the three pieces can “talk” to each other even when it’s unwise to talk to us. Should FDR have announced his battle plans and conferred with all of us before doing anything? Do we maybe disagree with Truman for dropping the bomb; of course; but do you really think he should have consulted the American public?
When it comes to the differences of opinion between Just Muttering and I, I suspect that in most cases it is more a matter of degree than disagree. I’m not a political or economic analyst, and my opinions are more about the general state of affairs, which makes it easy for arguments to be made on small specific points. For instance, JM cites Dell saying their outsourcing didn’t cost anyone their job. That may or may not be true at Dell, I wouldn’t know, but I have to ask: what happens to all the American workers when a company closes a plant stateside and opens one staffed by cheap overseas labor?
JM says unemployment is lower – maybe, but a lot of people are now self-employed. That can be a good thing, but they’re catching hell trying to get decent individual health insurance policies and they will struggle to build any savings for retirement, and social security is no longer a promise down the road. My greatst complain about the current administration is that theyare not taking care of The People. All their attention goes to the care and feeding of thye big corporations and the trickle down never worked. And they just cut even more of the funds for federal programs — $22 billion cut from student loans, $6 billion for Medicare, $5 billion for Medicaid…Of course there are aspects that sound good, such as “charge high-income beneficiaries more for their insurance for doctors visits,” but they will also “reduce payments to managed care providers.” But I wonder what is their definition of high-income and how many more doctors will refuse to take HMO patients? I know there are no easy answers, but there are a lot of people who need a lot of help and their futures are looking pretty bleak.
As for transparency in government, no, I do not honestly think that there can be, or even should be, total transparency. BUT — call me cynical, some might even say paranoid — I think people at the highest levels of our government are lying to us, and by “us” I mean the not only you and me, but also the congress and the senate and other government agencies. I fear that the system of checks and balances is no longer in operation and a small but powerful handful of individuals are trying to manipulate public opinion through the use of fear.