â€œThe Ashby Brothersâ€ Piano Jazz show airs the week of December 26, 2006. (Click here to find the radio stationin your area) The show will feature interviews with Marty and Jay Ashby, who will be joined by longtime friends and MCG Jazz collaborators, bassist Rufus Reid and drummer Lewis Nash for the musical portion of the segment. The Ashby Brothers Quartet cover an array of music in the segment, from Duke Ellingtonâ€™s â€œJust Squeeze Meâ€ to Ivan Linsâ€™ â€œNorturna.â€
Additionally, Bill Strickland, President and CEO of Manchester Craftsmenâ€™s Guild, was also interviewed by Mrs. McPartland to share the history of his success with MCG and its sister organization, Bidwell Training Center, and his plans to replicate the arts and technology program in major cities throughout the U.S. Bill Stricklandâ€™s interview is available as a podcast.
Mr. Rifftides and TT both sang the praises of Vince Guaraldi’s Charlie Brown music. Did you know that Guaraldi’s classic score almost never made it on the air. Check out Felix Contreras’ Behind Guaraldi’s Timeless Holiday Soundtrack that aired on Morning Edition last month and can still be heard online.
On Morning Edition today I heard “The Long View: For Writer Lillian Ross, the Story’s in the Details.” Ms. Ross, a long-time staff writer for The New Yorker, has long been one of my writing heroines.
Rich details, status details, intimate details, telling details, these are the little facts observed that bring people to life on the page. (Of course I’ll be talking more about the use of such details in the months to come for People On The Page over at SnapSizzleBop.) It was no surprise that by the end of this morning’s NPR piece, Ms. Ross had turned the tables on interviewer Steve Inskeep.
Back in June 2005 i wrote about Ms. Ross and her techniques:
One of my goals as a narrative nonfiction writer is to make my readers to feel as if they are there, seeing the events about which I am writing. In order for that to happen, I have to evoke the readersâ€™ interest and convey to them a sense of my reliability, letting them know that either I was there observing (and now they can watch through my eyes) or at least that I did thorough research. Lillian Ross is a master in this genre and I often try to analyze her work in search of techniques that I might employ. (read the whole piece here)
Here are some books by Lillian Ross:
Portrait of Hemingway (Random House Publishing Group, 1999)
Picture (Da Capo Press; Reprint edition June 2002)
Fun of It: Stories from the Talk of the Town (Random House Publishing Group, 2001)
Reporting Back: Notes on Journalism (Counterpoint Press, 2003)